News In: Dance

An admirer of Balanchine and a dancer with both Alvin Ailey and the American Ballet Theatre, Alonzo King has left his company a dual choreographic legacy. . .

excerpts from Sadeh 21, Zachacha, Bolero, Mabul, Three, Naharin's Virus, Zina

and other étoiles of the Bolshoi Theatre in Moscow

Soqquadro Italiano’s bubbly recipe can be trusted to get guaranteed inspired results . . .

una nuova creazione di Micha van Hoecke arrangiamenti originali Simone Zanchini con Viola Cecchini, Rimi Cerloj, Gloria Dorliguzzo, Yuri Mastrangeli, Miki...

Eclectic Twyla Tharp, celebrating five decades of dance-making in 2015, is an “outsider” for her ability to range from post-modern experiment to Hollywood’s pop flavours . . .

Amagatsu weaves the new plot for Utsushi without a chronological order, but rather as an ancient ritual where, in just over an hour, the viewer’s gaze is invited to become one with the hypnotic movements of his performers.

For the first time, Nanou confronts the choreographic structure of the octet through the rigorous process of a creative strategy built on the formalization of the human figure and its enclosure.

Dante Alighieri died and was reborn, made immortal in our memory by his poetry . . .