The edition dedicated to Mozart opened with one of the world’s most prestigious orchestras, the New York Philharmonic: two concerts, on the podium Lorin Maazel and Riccardo Muti. And among the “soloists” who took part in this edition there was the most acute and “intellectual” of pianists, Alfred Brendel, with the pure energetic talent of dancer Roberto Bolle. But, as usual, the “classical” dimension is not enough to describe the Festival: Eugenio Barba, transcultural pioneer, examined the theatre archetypes of all time – Don Giovanni and Hamlet.

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