Paying a tribute to the October Revolution, a century later, means delving into its extraordinary energies, which expressed a deep yearning for Modernity, as well as into the searing disappointments and horrors that followed. It means to collect what remains beyond “the noise of time” – a title shared by Julian Barnes’s novel dedicated to Shostakovich and Osip Mandelstam’s prose. Between musical and artistic revolutions, the explosive vitality of Dante has been amplified in Inferno, with the open call to the citizens curated by Teatro delle Albe; while the new productions of the Autumn Trilogy have reached “the verge of the 20th century”,  shedding new light on the Italian Realism: Cavalleria rusticana, Pagliacci, and Tosca. A dream comes true: the Roads of Friendship lead to Tehran, again with Riccardo Muti, again under the sign of the infallible common language of music

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