Nobilissima visione
conductor Riccardo Muti

Alfredo Catalani
Contemplazione

Paul Hindemith
Nobilissima visione
orchestra suite

Orchestra Giovanile Luigi Cherubini

after
Doppio ritratto: San Francesco in Dante e Giotto
conversation between Riccardo Muti and Massimo Cacciari


While it is true that music always obeys its own grammar, transcending all supposed poetic or visual references, it is also true that the initial spark for most music often comes from something outside of music itself, such as a verse, a landscape, a painting. This was the case for Nobilissima visione: while at the Maggio Musicale in Florence in 1937, Hindemith came across Giotto’s frescoes in the Bardi Chapel at Santa Croce, depicting scenes from the life of Francis after his conversion. Inspired by what he saw, he persuaded Léonide Massine to collaborate with him on a “dance legend” based on the frescoes. He then immediately composed this extraordinary concert suite, a work that Muti cherishes. Radiant and refined, it is imbued with a serene spirituality that culminates in the Saint’s triumph and Canticle.