{"id":5297,"date":"2017-09-15T12:00:11","date_gmt":"2017-09-15T10:00:11","guid":{"rendered":"http:\/\/www.ravennafestival.org\/en\/trilogia-dautunno-2017\/"},"modified":"2017-09-21T11:14:02","modified_gmt":"2017-09-21T09:14:02","slug":"2017-autumn-trilogy","status":"publish","type":"post","link":"https:\/\/www.ravennafestival.org\/en\/2017-autumn-trilogy\/","title":{"rendered":"2017 Autumn Trilogy"},"content":{"rendered":"<p>This year\u2019s Trilogy, which will run from the 17<sup>th<\/sup> to the 26<sup>th<\/sup> of November at the Alighieri Theatre, revolves around that gaze upon time and the changes which have always characterised the passage from one century to the next, especially at the dawn of the 20<sup>th<\/sup> century.<br \/>\nComposed within the last decade of the 19<sup>th<\/sup> century, \u201cCavalleria rusticana\u201d (1890 Rome, Teatro Costanzi), \u201cPagliacci\u201d (1892 Milan, Teatro Dal Verme), \u201cTosca\u201d (1900 Rome, Teatro Costanzi), were all influenced by the new sensitivities spreading through Europe and embodying the desire to focus on reality, for what it is and how it reveals itself in its rawest, crudest aspects, as to create a most truthful portrayal.<br \/>\nCristina Mazzavillani Muti is responsible for the inspiration and concept of the project. Leading her already traditional and well-appreciated team, she will also sign the direction, stage concept, and layout of the whole plan. On the podium of all three titles Vladimir Ovodok, one of the first students at Riccardo Muti\u2019s Italian Opera Academy, will conduct the Orchestra Giovanile Luigi Cherubini and the Choir of the Teatro Municipale di Piacenza, led by Corrado Casati.<\/p>\n<p><span style=\"font-size: 20px;\"><strong><strong>Teatro Alighieri<\/strong> November 17-26, 2017<\/strong><\/span><\/p>\n<p><b>Friday 17 November (8.30 pm)<\/b><br \/>\n<b>Tuesday 21 November (8.30 pm)<\/b><br \/>\n<b>Friday 24 November (8.30 pm)<\/b><br \/>\n<span style=\"font-size: 18px;\"><strong>Cavalleria rusticana<br \/>\n<\/strong><\/span>Opera in one act<br \/>\n<em>libretto by<\/em> Giovanni Targioni-Tozzetti <em>and<\/em> Guido Menasci<br \/>\n<em>adapted from a play and a short story by<\/em> Giovanni Verga<br \/>\n<em>music by<\/em> Pietro Mascagni<\/p>\n<p><b>Saturday 18 November (8.30 pm)<\/b><br \/>\n<b>Wednesday 22 November (8.30 pm)<\/b><br \/>\n<b>Saturday 25 November (8.30 pm)<\/b><br \/>\n<span style=\"font-size: 18px;\"><strong>Pagliacci<br \/>\n<\/strong><\/span>Drama in one prologue and two acts<br \/>\n<em>music and libretto by<\/em> Ruggero Leoncavallo<\/p>\n<p><b>Sunday 19 November (3.30 pm)<\/b><br \/>\n<b>Thursday 23 November (8.30 pm)<\/b><br \/>\n<b>Sunday 26 November (3.30 pm)<\/b><br \/>\n<span style=\"font-size: 18px;\"><strong>Tosca<br \/>\n<\/strong><\/span>Opera in three acts<br \/>\n<em>libretto\u00a0<\/em><em>by<\/em> Luigi Illica <em>and<\/em> Giuseppe Giacosa<br \/>\n<em>based on the dramatic play &#8220;La Tosca&#8221;<\/em> <em>by<\/em> Victorien Sardou<br \/>\n<em>music by<\/em> Giacomo Puccini<\/p>\n<p><em>conductor<\/em> <strong>Vladimir Ovodok<\/strong><br \/>\n<em>direction and concept<\/em> <strong>Cristina Mazzavillani Muti<\/strong><\/p>\n<p><strong> Orchestra Giovanile Luigi Cherubini<\/strong><br \/>\n<strong> Coro del Teatro Municipale di Piacenza<\/strong><br \/>\n<em>choirmaster<\/em> <strong>Corrado Casati<\/strong><\/p>\n<hr \/>\n<p><span style=\"font-size: 16px;\"><strong>Tickets \/ Blocks of <\/strong><\/span><span style=\"font-size: 16px;\"><strong>Tickets<br \/>\n<\/strong><\/span><strong>July 10<\/strong> block of tickets presale for season ticket holders<br \/>\n<strong>September 18<\/strong> block of tickets and tickets presale<\/p>\n<p><span style=\"font-size: 14px;\"><strong>Cavalleria rusticana \/ Pagliacci<\/strong><\/span><br \/>\nStalls\/Front seat in central box \u20ac 55, \u20ac 48*<br \/>\nBack seat in central box\/Front seat in side box \u20ac 40, \u20ac 36*<br \/>\nBack seat in side box\/Circle\/Seat in 4th tier box \u20ac 24, \u20ac 20*<br \/>\nGallery \u20ac 15<\/p>\n<p><span style=\"font-size: 14px;\"><strong>Tosca<\/strong><\/span><br \/>\nStalls\/Front seat in central box \u20ac 70, \u20ac 64*<br \/>\nBack seat in central box\/Front seat in side box \u20ac 52, \u20ac 48*<br \/>\nBack seat in side box\/Circle\/Seat in 4th tier box \u20ac 30, \u20ac 26*<br \/>\nGallery \u20ac 18<\/p>\n<p><strong>BLOCKS OF TICKETS (3 events)<\/strong><br \/>\nStalls\/Front seat in central box \u20ac 150, \u20ac 135*<br \/>\nBack seat in central box\/Front seat in side box \u20ac 110, \u20ac 100*<br \/>\nBack seat in side box\/Circle\/Seat in 4th tier box \u20ac 64, \u20ac 56*<br \/>\nGallery \u20ac 40<\/p>\n<p>* Concession: Opera associations, CRAL, teachers, under 26, over 65, agreements<\/p>\n<hr \/>\n<p>The sunset of an epoch merges into the dawn of a new era: Italian melodrama found new life at the close of the 19th century. Those were the years when everything \u2013 ideas, languages, experiments \u2013 inevitably led towards modernity, which would explode in the heart of the twentieth century and irradiate down to us. In 1890, <em>Cavalleria Rusticana<\/em> conquered theatres and audiences with its dazzling expressive immediacy, imposing \u201crealism\u201d in music. Two years later, Leoncavallo transformed an old real-life incident into a gloomy story of relentless passion. It was the explosion of what Verdi had called \u201cparola scenica\u201d, which threw new light on a century-long tradition. A light that shined fully in the tragic heroism of Puccini\u2019s <em>Tosca<\/em>, whose dramatic strength and sophistication opened the new century.<\/p>\n<p>Three operas, three different titles presented on the same stage on consecutive nights, in a real operatic \u201ctour de force\u201d: once again, the Festival manages to transform the Alighieri Theatre into an unremitting production machine. And the space on stage becomes a claustrophobic enclosure of distress, opening, closing, transforming, giving voice and substance to the tragedies that inform these masterpieces: death in duel, suicide, murder&#8230; going all the way to test these feelings. Visionary projections for the overwhelming passion of <em>Cavalleria Rusticana<\/em>, sharp shards of light for <em>Pagliacci<\/em>, more lights and projections for the suffocating Roman atmosphere of <em>Tosca<\/em>. Bold young voices, and the matching freshness of a conducting style forged in this very theatre, at Riccardo Muti\u2019s Academy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year\u2019s Trilogy, which will run from the 17th to the 26th of November at the Alighieri Theatre, revolves around that&#8230;<\/p>\n","protected":false},"author":7,"featured_media":5100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-5297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Three operas in Ravenna with &quot;The Autumn Trilogy&quot;<\/title>\n<meta name=\"description\" content=\"A week dedicated to the opera: Cavalleria rusticana, Pagliacci and 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