{"id":22848,"date":"2021-05-08T09:40:28","date_gmt":"2021-05-08T07:40:28","guid":{"rendered":"http:\/\/www.ravennafestival.org\/?p=22848"},"modified":"2021-05-09T10:31:14","modified_gmt":"2021-05-09T08:31:14","slug":"dedicato-a-dante-xxxii-edizione","status":"publish","type":"post","link":"https:\/\/www.ravennafestival.org\/en\/dedicato-a-dante-xxxii-edizione\/","title":{"rendered":"Dedicated to Dante – 32nd edition"},"content":{"rendered":"

Over 70 events and 1200 guest artists
\n<\/strong><\/span>from 2 June to 31 July plus the autumn programmes<\/strong><\/span><\/p>\n

The Ravenna Festival’s 32nd edition is a declaration of love that draws inspiration from the 700th anniversary of Dante’s death in Ravenna: for two months, from 2 June to 31 July, and with the autumn programmes, “Dedicated to Dante” features over 70 events, planets and satellites revolving around the sun of the Poet and his masterpiece but also following more eccentric orbits. After the May 9 preview with the Vienna Philharmonic, Riccardo Muti leads his Cherubini Orchestra on The Roads of Friendship<\/em> to Yerevan for Tigran Mansurian’s Purgatorio<\/em>, part of the triptych of new commissions that starts from Giovanni Sollima’s Inferno<\/em> and reaches Valentin Silvestrov’s Paradiso<\/em> in the Basilica of Sant’Apollinare in Classe. Among the guest artists: Alessandra Ferri, Beatrice Rana, Accademia Bizantina, Kavakos, Dutoit, Daniil Trifonov, Capossela, Elio, Neri Marcor\u00e8. The Festival takes place in charming venues in Ravenna, Cervia, Russi, and Lugo – mainly under the stars – and confirms the choice of accessible pricing and streamed contents.
\nINFO<\/strong> www.ravennafestival.org<\/strong><\/a>\u00a0 <\/strong><\/p>\n

Also this year, Ravenna and its Festival are in the front line for the return to live music in Italy, on the one hand as the host of the two concerts opening the tour of the Vienna Philharmonic, performing for the first time before an audience in 2021; on the other, the summer programme opens on June 2, the Day of a Republic that can and must be founded on culture and music as well. In the dedication to Dante – whose life and work the Festival celebrates with new productions and commissions to composers, choreographers, and playwrights – the Festival fulfils its thematic, multi-genre, wandering nature, maybe because the great journey of the Commedia<\/em> embraces all themes concerning the human experience.<\/p>\n

This summer Riccardo Muti<\/strong> leads his Luigi Cherubini Youth Orchestra<\/strong> in other two concerts, one of them being the annual musical pilgrimage of The Roads of Friendship<\/strong><\/em>, returning to Yerevan after twenty years to rekindle a relationship that dates back to the Roman and Byzantine times when Ravenna boasted a thriving Armenian community. “The land of the screaming stones”, as poet Mandelstam described it, finds expression of its pained spirituality and musical tradition not only in the concert of the Naghash Ensemble<\/strong> and an Armenian mass but also in the commission to the most important composer of that borderland, Tigran Mansurian<\/strong>. The Rocca Brancaleone turns into an infernal citadel for Six \u00e9tudes on Dante’s Inferno<\/em><\/strong> by Giovanni Sollima<\/strong>; at the composer-cellist’s side, the Cherubini Orchestra led by da Kristjan J\u00e4rvi, the Choir of the Siena Cathedral \u201cGuido Saracini\u201d, and countertenor Raffaele Pe. O luce etterna<\/em><\/strong>, with which Valentin Silvestrov<\/strong> gives shape to the luminous evanescence of Paradiso<\/em>, will be performed by the Kyiv Chamber Choir in the Basilica of Sant’Apollinare in Classe, shining with mosaics.
\nThe summer programme opens with two premieres. The Festival is back in the Basilica of San Vitale with the chamber opera Teodora<\/em><\/strong> by Mauro Montalbetti, libretto and dramaturgy by Barbara Roganti; an itinerary through the existence of the Empress who is portrayed in mosaics in the Basilica. Alessandra Ferri<\/strong> celebrates 40 years of career in the role of Winnie, the aged ballet dancer B\u00e9jart imagined in 1998 for Carla Fracci: this re-staging of the Beckett-inspired L\u2019heure exquise<\/em><\/strong>, a co-production with the Royal Ballet, will see Ferri buried in a heap of old pointe shoes. At her side, Carsten Jung<\/strong> (Hamburg Ballet), in the role which was Micha van Hoecke’s; Micha himself and Maina Gielgud, who was in the second cast, will instruct the performers.
\nThe Basilica of S. Francesco, where the Poet’s funeral took place, hosts events dedicated to the music from the time of Dante or inspired by his poetry, including a talk by musicologist Piero Mioli<\/strong>. Some of the most important Italian early-music ensembles are featured \u2013 Odhecaton<\/strong>, La Fonte Musica<\/strong>, and Ensemble Micrologus<\/strong> \u2013 while the Vespers at S. Vitale<\/em> have been turned into Dante Vespers<\/em><\/strong>, ranging from the troubadour tradition to new compositions, including a journey in the poetic bestiary of the Commedia<\/em>, as narrated by Tiziano Scarpa<\/strong>.
\nThe vastness of the poem and its ability to tackle the most diverse artistic languages is evident also in the projection of the masterpiece silent film Inferno<\/em><\/strong> (1911)<\/strong>, with live music by Edison Studio and in collaboration with the Cineteca di Bologna; Flavio Caroli<\/strong> will focus on The paintings that shook the world after the time of Dante and Giotto<\/em>. Another important premiere is the one featuring Arto Lindsay<\/strong>, a tribute to Carmelo Bene’s Lectura Dantis<\/em> that in 1981, from the top of the Torre degli Asinelli, commemorated the Bologna massacre.<\/p>\n

Orchestra variations<\/span><\/h4>\n

Together with the concerts led by Riccardo Muti \u2013 The Roads of Friendship<\/em> and another evening with his Cherubini (featuring Beethoven’s Die Weihe des Hauses<\/em> and Schubert’s \u201cGreat\u201d), the symphonic section includes Accademia Bizantina<\/strong> and Ottavio Dantone<\/strong> for a Romantic programme of Mendelssohn and Schumann. While the Cherubini is led by Le\u014dnidas<\/strong> Kavakos<\/strong>, also as a violin soloist with viola player Antoine Tamestit for Mozart’s Sinfonia concertante K. 364, the 50th anniversary of Stravinsky’s death inspire the programme featuring Charles Dutoit<\/strong> and the Slovenian Philharmonic Orchestra<\/strong>. Roberto De Simone<\/strong> proposes an unexpected approach to Stravinsky’s legacy: in Les noces or Lo \u2018Ngaudio<\/em><\/strong>, performed by Ars Ludi led by Marcello Panni, the vocal triumph is no longer in Russian but in the Gargano-area dialect.
\nDante is not alone among the tributes paid by Festival, then; the events also celebrate musicians who, however belonging to different genres and epochs, have left an indelible mark. In the same manner, the stratified identity of the city is always close to the heart of the Festival, also with The Golden Pall of St. Mark<\/em><\/strong> by the Cappella Marciana, on the occasion of the 1600th anniversary of the foundation of Venice, in the very fortress the Venetians built in Ravenna.
\nThe concert of La Stagione Armonica<\/strong>, conducted by Sergio Balestracci and the Missa Hercules Dux Ferrariae<\/em> performed by Odhecaton within In templo Domini<\/em><\/strong>, the series of liturgies in the basilicas, pay tribute to the French-Flemish composer Josquin Desprez for the 500th anniversary of his death. Among the guest vocal ensembles, also the Swingles<\/strong> and the Corsican A Filetta<\/strong> with Ensemble Conductus<\/strong>.
\nThe Festival dedicates to Astor Piazzolla, together with an evening in Lugo, his “operita” Maria de Buenos Aires<\/em><\/strong> (directed by Carlos Branca, music direction by Jacopo Rivani, with Davide Vendramin’s bandoneon) and Romance del Diablo<\/em><\/strong>, featuring saxophonist Marco Albonetti and the Orchestra Filarmonica Italiana.
\nVinicio Capossela<\/strong> and the Orchestra Maderna led by Stefano Nanni perform Bestiario d\u2019Amore<\/em>, inspired by the 13th-century Li Bestiaires d’amours<\/em> by Richard de Fournival, a bestiary worthy of Dante’s imagination.
\nFor the only piano recital of this year, star player Daniil Trifonov<\/strong> chooses Prokofiev, Debussy, and Brahms. The chamber ensembles of the Cherubini perform in places in town and the surroundings for La musica senza barriere<\/em><\/strong> (The Music Without Barriers<\/em>), which brings music to those who cannot get access to a theatre or a concert hall.<\/p>\n

A dancing Festival<\/span><\/h4>\n

The dance programme which starts from L\u2019heure exquise<\/em> features the ebullient Don Juan<\/em><\/strong> created by Johan Inger<\/strong> for Aterballetto<\/strong>: the Swedish choreographer unleashes grace, invention, and irony to mediate on the myth forced to deal with gender equality and the end of machismo. Stravinsky\u2019s Love<\/em><\/strong>, curated by Daniele Cipriani, brings on stage soloists Beatrice Rana, Massimo Spada, and Andrea Obiso<\/strong> together with ballet stars (Vladimir Derevianko as Stravinsky to introduce the pieces, Sergio Bernal, Ashley Bouder, Davide Dato, Simone Repele, Sasha Riva\u2026), while the Progetto RIC.CI presents La rivolta degli oggetti<\/em><\/strong> by La Gaia Scienza, a 1976-work inspired by Mayakovsky and today entrusted to Fattore K.<\/strong>, with Gianni Dess\u00ec’s set design. The Paradiso<\/em> inspires the collaboration between gruppo nanou<\/strong> and Alfredo Pirri<\/strong>, who present the first draft of the choreography whose debut is scheduled for 2022.<\/p>\n

The theatre, mirror of the world and the city<\/span><\/h4>\n

Since the pandemic has made it necessary to postpone the “public call” for the Commedia<\/em> to 2022, Verso Paradiso<\/em> is the stop before the conclusion of the theatre triptych by Marco Martinelli<\/strong> and Ermanna Montanari<\/strong>. Chiara Guidi<\/strong> of Societas Raffaello Sanzio<\/strong> presents Exercises for voice and cello<\/em> on Dante’s Divina Commedia<\/em>, while Chiara Muti<\/strong> and Elena Bucci<\/strong> delve into the map of lights drawn by the Poet in Lumina in tenebris<\/em>.
\nOther featured plays are\u00a0Sylvie e Bruno<\/em> by Fanny e Alexander<\/strong>, loosely based on the novel of the same name by Lewis Carroll; Il defunto odiava i pettegolezzi<\/em> by Menoventi<\/strong>, inspired by Serena Vitale’s work on Mayakovsky’s death, and Confini<\/em> by ErosAntEros<\/strong>, an international co-production on the thorny issues of the European Union.<\/p>\n

The Festival in Cervia-Milano Marittima<\/span><\/h4>\n

Also this year, Cervia-Milano Marittima hosts Il Trebbo in musica<\/em><\/strong>. The special series of events, combining music and words in the Arena dello Stadio dei Pini and Piazza Garibaldi, includes Dante-inspired events: from Aldo Cazzullo<\/strong>, the author of A riveder le stelle<\/em> (Mondadori, 2020) on stage with Piero Pel\u00f9<\/strong>, to Neri Marcor\u00e8<\/strong> and the Orchestra Corelli giving voice to the female characters of Dante’s universe, to Convivio<\/em> with Ambrogio Sparagna<\/strong>, Peppe Servillo<\/strong>, Mario Incudine<\/strong>, and the choir \u201cLibere note\u201d led by Catia Gori. This will also be the last stop of the Creative Caravan<\/em><\/strong> tackling The Dante’s Way from Florence to Ravenna.
\nMarco Belpoliti<\/strong>, the author of Pianura <\/em>(Einaudi, 2021)\u00a0talks about the landscape of this region, followed by a concert featuring Giovanni Lindo Ferretti<\/strong> and the CCCP e CSI iconic repertoire. Speaking of Italian singers-songwriters, Cervia also hosts Vi raccontiamo Lucio Dalla<\/em><\/strong>, by and with music critics Ernesto Assante and Gino Castaldo and the Stefano Di Battista Jazz Quartet;\u00a0the story of the friendship between Fabrizio De Andr\u00e9 and Gigi Riva in Amici fragili <\/em>by\u00a0Federico Buffa<\/strong>; the tribute to Enzo Jannacci performed by Elio<\/strong>, another icon of the Milanese spirit and the most ingenious and enlightening humorous song.<\/p>\n

The Festival in Lugo<\/span><\/h4>\n

In the Pavaglione in Lugo, the Quinteto Astor Piazzolla<\/strong> joins the Orchestra Filarmonica Salernitana G. Verdi for a tribute to Piazzolla for the 100th anniversary of his birth. Ennio Morricone is celebrated, one year after his death, by a concert featuring Tosca<\/strong> and the Roma Sinfonietta<\/strong> led by Paolo Silvestri. The Corelli Orchestra will be led by film score specialist\u00a0Timothy Brock<\/strong>, who signs the music for the projection of Buster Keaton’s The General<\/em><\/strong>. With a talk and the projection of the film of the same name by Francesca Molteni and Mattia Colombo, Openings<\/em><\/strong> deals with architectural and immaterial thresholds.<\/p>\n

The Festival in Russi<\/span><\/h4>\n

At Palazzo San Giacomo<\/strong> the Dante anniversary inspires a focus on the word, verse, and rhyme…and rap music, including a talk and a concert featuring Italian rapper Rancore<\/strong> preceded by genius loci<\/em> Moder<\/strong>. Russi also hosts the tribute to the Italian Progressive Rock with Uno nel tutto<\/em><\/strong>, which reinvents the experience of the Progetto Uno (born from the meeting between two members of the disbanded Osanna with Vince Vallicelli) through the contribution of Enrico Gabrielli (Calibro 35) and Roberto Dell\u2019Era and Stefano Pilla (Afterhours).<\/p>\n

Autumn Trilogy<\/span><\/h4>\n

The Dante itinerary will culminate in the Autumn Trilogy<\/strong> \u2013 The Dance, The Music, The Word<\/strong>: this year Cristina Muti’s project comprises Met\u00e0noia<\/em><\/strong> (1-5 September) by and with Sergei Polunin<\/strong>; Faust rapsodia<\/em> <\/strong>(1-3 October), that combines Schumann’s music and Goethe’s verses with the direction of Luca Micheletti<\/strong> and the musical direction of Antonio Greco<\/strong>; Dante’s brightest verses performed by Elio Germano<\/strong> (11-13 October) with Teho Teardo, directed by Simone Ferrari and Lulu Helbaek in Paradiso XXXIII<\/em><\/strong>. The solemn concert on 12 September concludes the national celebrations; after Ravenna, Riccardo Muti<\/strong>, the Cherubini Orchestra<\/strong>, and the Maggio Fiorentino Chorus<\/strong> perform also in Florence and Verona, thus joining the three Dante-cities through music.<\/p>\n

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INFORMATION AND TICKETS
\n<\/strong><\/span>It is possible to buy a maximum of 2 tickets per event<\/strong>, in consideration of the limited number of seats in compliance with the current social distancing regulations. The pre-sale service entails a 10% increase in the rates.
\nAlso this year, the Festival protects the safety of the audience, artists, and staff, updating the rules applied in 2020 in compliance with Italy’s current regulations.<\/strong><\/p>\n

Ticket pre-sales (summer programme)
\n<\/strong><\/span>From Thu 13 to Sat 15 May
\n<\/strong>Reserved to the holders of the FONDAZIONE RAVENNA MANIFESTAZIONI 2020 vouchers, only by phone (+39 0544 249244) or from the Theatre box office, Mon-Sat 9-13 and 15-19.<\/p>\n

From Mon 17 May
\n<\/strong>Multichannel pre-sales:<\/p>\n