{"id":21097,"date":"2020-10-15T11:57:53","date_gmt":"2020-10-15T09:57:53","guid":{"rendered":"http:\/\/www.ravennafestival.org\/trilogia-dautunno-2020-dal-4-al-10-novembre\/"},"modified":"2020-10-23T14:05:31","modified_gmt":"2020-10-23T12:05:31","slug":"trilogia-dautunno-2020-dal-4-al-10-novembre","status":"publish","type":"post","link":"https:\/\/www.ravennafestival.org\/en\/trilogia-dautunno-2020-dal-4-al-10-novembre\/","title":{"rendered":"Autumn Trilogy 2020: UPDATE"},"content":{"rendered":"<p><span style=\"color: #993300;\"><strong>THE EVENT FEATURING SERGEI POLUNIN HAS BEEN POSTPONED TO 2021<\/strong><\/span><br \/>\n<span style=\"color: #993300;\"><strong><em>Pas de deux for toes and fingers<\/em><\/strong><strong> by Svetlana Zakharova and Vadim Repin with the Cherubini Orchestra has been announced<br \/>\n<\/strong><\/span><span style=\"color: #993300;\"><strong><em>Faust rapsodia<\/em>: the performances of Nov 11 and 14 have been rescheduled for Nov 9 and 10\u00a0<\/strong><\/span><\/p>\n<p><strong>The world premiere of\u00a0<span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.ravennafestival.org\/en\/events\/sergei-polunin-2-2\/\">Met\u00e0noia<\/a><\/span>, the new work by and with Sergei Polunin which should have inaugurated the Ravenna Festival\u2019s Autumn Trilogy on the 6<sup>th<\/sup> of November, has been postponed to 2021, within the year of the Dante celebrations. Faced with the new restrictions to international travels, the company is unable to guarantee the staging of this complex production, which involves artists from the United Kingdom, Russia, Serbia, Canada, and the United States. The Festival does not renounce to dance and announces the return of a much beloved artist: Svetlana Zakharova will be on stage with her partner, violinist Vadim Repin, and the Luigi Cherubini Youth Orchestra for\u00a0<span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.ravennafestival.org\/en\/events\/zakharova\/\">Pas de deux for toes and fingers<\/a><\/span> \u00a0on November 4, 5, and 6 at the Pala De Andr\u00e9; in this case the limited stay of the artists is compatible with the current regulations for arrivals from Russia. The new dates of the dance performance make it necessary a schedule change for\u00a0<span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.ravennafestival.org\/en\/events\/faust-2\/\">Faust rapsodia<\/a><\/span>\u00a0(7, 9, 10 November in the Alighieri Theatre), in order to greatly rationalise the production timetable.<\/strong><\/p>\n<p><strong><em>Pas de deux for toes and fingers<\/em><\/strong>\u00a0is a gallery of precious choreographic and musical miniatures, and each of them has been chosen to highlight the talent of Svetlana Zakharova, undisputed queen of the Bolshoi in cosmopolitan Moscow, and of Vadim Repin &#8220;the best and most perfect violinist&#8221; according to Yehudi Menuhin. At the heart of the programme Mikhail Fokine&#8217;s solo\u00a0<em>The Dying Swan\u00a0<\/em>on Camille Saint-Sa\u00ebns&#8217;s score; the other side of Zakharova, an artist who dares to delve into the contemporary, is condensed in Motoko Hirayama&#8217;s\u00a0<em>Revelation<\/em>, on John Williams&#8217;s music. For the adagio from Petipa&#8217;s classic <em>Raymonda<\/em>, in Asami Maki&#8217;s revision, Zakharova chooses Denis Rodkin as her partner. Jacopo Tissi, the first Italian dancer at the Bolshoi, is at her side for the chiaroscuro of Mauro Bigonzetti&#8217;s\u00a0<em>Caravaggio<\/em> on music by Monteverdi adapted by Bruno Moretti. Contested between Mikhail Lobukhin and Denis Medvedev, Zakharova dons a\u00a0<em>gar\u00e7onne<\/em> costume for Johan Kobborg&#8217;s\u00a0<em>La ronde des lutins<\/em>, on Antonio Bazzini&#8217;s Scherzo fantastico Op. 25.<\/p>\n<p>The main character of a rich and varied tale, which originated in Germany in the late Middle Ages, Faust gained universal appeal through Johann Wolfgang Goethe&#8217;s writings: along his Dantesque journey between Heaven and Hell, Faust experiences the powers of the evil, and redemption with the help of his beloved. In a brand new visionary production, with the stalls turned into an enlarged pit to host the social-distanced orchestra, and the audience in the boxes, gallery, and balcony,\u00a0<strong><em>Faust rapsodia<\/em><\/strong> is a reasoned selection from Schumann&#8217;s secular oratorio combined with scenes from Goethe&#8217;s work. Dramaturgical adaptation and direction have been entrusted to Luca Micheletti, while Antonio Greco leads the Orchestra Giovanile Luigi Cherubini and the Coro Cherubini. Faust is played by baritone Vito Priante and actor Edoardo Siravo; Margherita is soprano Elisa Balbo; in the role of Mephistopheles are bass Riccardo Zanellato and actor Roberto Latini. Set, lightning, and costume design are curated, respectively, by Ezio Antonelli, Fabrizio Ballini, and Anna Biagiotti.<\/p>\n<p>The 9 pm performance in the Alighieri Theatre will be preceded by a 30-minute-long performance, accessible with the same ticket of\u00a0<em>Faust rapsodia<\/em>: at 7.30 pm, in the Basilica of San Francesco (&#8220;the church of Dante&#8221;),\u00a0<strong><em>Quanto in femmina foco d&#8217;amor<\/em><\/strong> is a &#8220;mystery for voices and pilgrim women&#8221;, a meditation on the women in the\u00a0<em>Commedia<\/em>, based on an idea by Cristina Muti, written by Francesca Masi, and with Luca Micheletti&#8217;s mise en sc\u00e8ne. The voices of Francesca, Pia, Sapia, Piccarda, and Cunizza weave a women&#8217;s prayer, a litany running from Eve to Maria, beginning and end of the world, sung and danced by the Edenic woman, Matelda.<\/p>\n<hr \/>\n<p><strong>The Festival\u2019s Ticket Office will get in touch with those who have already purchased a ticket for one of the performances with Sergei Polunin<\/strong>; it will be possible to choose between replacing the ticket with one for one of the <em>Pas de deux for toes and fingers<\/em> performances, and asking for a refund. In both cases, it will grant a pre-emption right on the sales for the new dates of <em>Met\u00e0noia<\/em> in 2021, which have to be confirmed. <strong>The pre-sales for Zakharova-Repin will start for everyone else on Monday, 26 October.<\/strong><\/p>\n<p><strong>The tickets of <em>Faust rapsodia<\/em> (<em>Quanto in femmina foco d\u2019amor<\/em> included)<\/strong> for the 11<sup>th<\/sup> of November are valid for the performance of the 9<sup>th<\/sup> of November; the tickets for the 14<sup>th<\/sup> of November are valid for the performance of the 10<sup>th<\/sup> of November. For any inquiry, please contact the Festival\u2019s Ticket Office.<\/p>\n<p><span style=\"color: #800000;\"><strong>Ravenna Festival Ticket Office<\/strong><\/span><br \/>\nTeatro Alighieri, Via A. Mariani 2, Ravenna &#8211; ITALY<br \/>\nPh. +39 0544 249244 |\u00a0<a href=\"mailto:tickets@ravennafestival.org\">tickets@ravennafestival.org<\/a><br \/>\n<strong>Opening times<\/strong>\u00a0Mon-Sat 9 am &#8211; 1 pm<br \/>\n<strong>Access to the Ticket Office is granted only on appointment, advanced booking by phone +39 0544 249244<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE EVENT FEATURING SERGEI POLUNIN HAS BEEN POSTPONED TO 2021 Pas de deux for toes and fingers by Svetlana Zakharova and&#8230;<\/p>\n","protected":false},"author":6,"featured_media":21067,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-21097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Autumn Trilogy 2020: UPDATE - 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