{"id":3021,"date":"2016-05-21T09:16:53","date_gmt":"2016-05-21T07:16:53","guid":{"rendered":"http:\/\/www.ravennafestival.org\/en\/trilogia-dautunno\/"},"modified":"2025-11-17T12:57:53","modified_gmt":"2025-11-17T11:57:53","slug":"trilogia-dautunno","status":"publish","type":"page","link":"https:\/\/www.ravennafestival.org\/en\/trilogia-dautunno\/","title":{"rendered":"Autumn Trilogy"},"content":{"rendered":"<p>In 2012, the Festival was extended to the rest of the year, enlarging the limits of its original summer months with the brilliant invention of the \u201cAutumn Trilogy\u201d, whose formula alternates three different operas on the same stage on consecutive nights. After the masterpieces of Giuseppe Verdi\u2019s \u201cpopular\u201d trilogy (<em>Rigoletto<\/em>, <em>Trovatore<\/em>, <em>Traviata<\/em>), the tribute to the composer from Busseto was replicated on his bicentenary, 2013, with his \u201cShakespearean\u201d operas (<em>Macbeth<\/em>, <em>Otello<\/em>, <em>Falstaff<\/em>). In 2014 the trilogy offered the opportunity to admire the Ballet of the Mariinskij Theatre from St. Petersburg (<em>Swan Lake<\/em>, <em>Giselle<\/em>, <em>\u2019900 Triptych<\/em>), while in 2015 a tribute to Giacomo Puccini and his masterpiece\u00a0<em>La\u00a0<\/em><em>Boh\u00e8me<\/em>\u00a0celebrated the genius of another universally known Italian composer. In 2016 new productions of the major Hungarian theatres (<em>Countess Maritza<\/em> by K\u00e1lm\u00e1n, <em>The Bat<\/em> by Strauss, and <em>The Merry Widow<\/em> by Leh\u00e1r) led the audience on a journey along the Danube river, a triptych dedicated to the operetta genre and the Middle-European culture. In 2017 the Trilogy brought three masterpieces &#8220;on the verge of the 20th century&#8221; to stage (<em>Cavalleria rusticana\u00a0<\/em>by Pietro Mascagni,\u00a0<em>Pagliacci<\/em>\u00a0by Ruggero Leoncavallo and\u00a0<em>Tosca<\/em>\u00a0by Giacomo Puccini), while in 2018 Verdi&#8217;s music was again the heart of the Trilogy with\u00a0<em>Nabucco<\/em>,\u00a0<em>Otello<\/em>,\u00a0and\u00a0<em>Rigoletto.\u00a0<\/em>In 2019 the Trilogy featured three women who claimed their absolute freedom and right to choose a destiny of death: Bellini&#8217;s\u00a0<em>Norma<\/em>, Verdi&#8217;s\u00a0<em>Aida<\/em>, and Bizet&#8217;s\u00a0<em>Carmen<\/em>, on a journey from the belcanto style to the dawn of Verismo.\u00a0If in 2020 the Trilogy was cancelled due to the pandemic, in 2021 it returned to the stage with a dedication to Dante, through three new productions:\u00a0<em>Dante Met\u00e0noia<\/em> by and with Sergei Polunin, <em>Faust rapsodia<\/em> by Luca Micheletti, and <em>Paradiso XXXIII<\/em> by and with Elio Germano and Teho Teardo, while the following year the Mozart &#8211; Da Ponte trilogy took centre stage with\u00a0<em>Le nozze di Figaro<\/em>, <em>Don Giovanni<\/em>, and\u00a0<em>Cos\u00ec fan tutte.<\/em> In 2023, the Trilogy was entrusted to Riccardo Muti&#8217;s expert guidance with the semi-staged performances of <em>Norma<\/em> and\u00a0<em>Nabucco<\/em> and a gala entirely dedicated to Verdi. For the next two editions, the Trilogy was characterised by the collaboration between Pier Luigi Pizzi and Ottavio Dantone, at the helm of Accademia Bizantina: in 2024 with a diptych by Monteverdi and Purcell, complemented by a recital by countertenor Orli\u0144ski; in 2025 with Handel&#8217;s <em>Orlando<\/em> and <em>Alcina<\/em>, alongside the<em> Messiah <\/em>concert.<\/p>\n\n\t\t\t<!-- START 16 Home_Trilogia REVOLUTION SLIDER 6.7.23 --><p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t<rs-module-wrap id=\"rev_slider_105_1_wrapper\" data-source=\"gallery\" style=\"visibility:hidden;background:#FFFFFF;padding:0;margin:0px auto;margin-top:0;margin-bottom:20;\">\n\t\t\t\t<rs-module id=\"rev_slider_105_1\" style=\"\" data-version=\"6.7.23\">\n\t\t\t\t\t<rs-slides style=\"overflow: hidden; position: absolute;\">\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-464\" data-title=\"Slide\" 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