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Calendar 24th edition
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DATE
PERFORMANCE
TYPE
TIME
VENUE
TICKET ONLINE
Tuesday
05-02-2013
MOMIX "ALCHEMY"
Drama & Ballet 0
20:30
Teatro Alighieri
Ticket Online »
Wednesday
06-02-2013
Kledi intervista Moses Pendleton
Special Events 0
17:00
Teatro Alighieri
Free entrance
Wednesday
06-02-2013
MOMIX "ALCHEMY"
Drama & Ballet 0
20:30
Teatro Alighieri
Ticket Online »
Thursday
07-02-2013
MOMIX "ALCHEMY"
Drama & Ballet 0
20:30
Teatro Alighieri
Ticket Online »
Friday
08-02-2013
MOMIX "ALCHEMY"
Drama & Ballet 0
20:30
Teatro Alighieri
Ticket Online »
Saturday
09-02-2013
MOMIX "ALCHEMY"
Drama & Ballet 0
20:30
Teatro Alighieri
Ticket Online »
Sunday
10-02-2013
MOMIX "ALCHEMY"
Drama & Ballet 0
15:30
Teatro Alighieri
Ticket Online »
Sunday
10-02-2013
MOMIX "ALCHEMY"
Drama & Ballet 0
20:30
Teatro Alighieri
Ticket Online »
Saturday
02-03-2013
Press Conference
Ravenna Festival 2013
Special Events 0
11:00
Teatro Alighieri
Free entrance
Monday
06-05-2013
25 years of New Adventures
1022055left1
Special Events 0
20:30
Cinema City
Free entrance
Monday
13-05-2013
Swan Lake 3D
1022054left1
Special Events 0
20:30
Cinema City
 
Thursday
16-05-2013
Swan Lake 3D
1022054left1
Special Events 0
20:30
Cinema City
Ticket Online »
Monday
20-05-2013
Nutcraker!
1022057left1
Special Events 0
20:30
Cinema City
Ticket Online »
Thursday
23-05-2013
RAMIN BAHRAMI pianoforte
left1Domenico Scarlatti (1685-1757)Aria in re minore K 32Sonata in sol maggiore K 289Johann Sebastian Bach (1685-1750)Suite francese n. 5 in sol maggiore BWV 816Domenico ScarlattiSonata in re maggiore K 282Johann Sebastian BachSuite inglese n. 2 in la minore BWV 807Domenico ScarlattiSonata in fa diesis maggiore K 319Sonata in re maggiore K 278Sonata in do maggiore K 159Johann Sebastian BachAria variata (alla maniera italiana) in la minore BWV 989Concerto nach Italienischen Gusto BWV 971 Bahrami discovered Bach at the age of five, in his native Tehran, Persia (as he prefers to call it), when he listened to Glenn Gould’s recorded versions. He fell for Bach, and never abandoned him: Bach’s music is always with him, and is credited for literally having the power of making the world a better place. Bahrami then fled the Ayatollahs’ regime and came to Italy. He found a meaning for his foolish diaspora in studying the piano with the greatest artists all over Europe. He is now a Bach specialist and one of the most important interpreters of his music. His programme traces an ideal trip to Italy, with the revered Johann Sebastian virtually interacting with contemporary Domenico Scarlatti on questions of form and style in keyboard music. www.simposiosalutemalattia.it www.raminbahrami.com]]>
Concerts 0
21:00
Teatro Alighieri
Ticket Online »
Thursday
30-05-2013
MATTHEW BOURNE'S SLEEPING BEAUTY
left1 Bourne’s Sleeping Beauty, a lush gothic tale of grim spells, ethereal fairies and gloomy vampires, starts in 1890, the year of its composition, and then moves forward to the modern day. It gorgeously completes Bourne’s trio of Tchaikovsky’s ballet masterworks that included the sublime all-male version of Swan Lake. Gracefully drawing from both Perrault and Disney, the whimsical British choreographer captivates the audience with amazing sets by Lez Brotherson, lighting by Paule Constable and surround sound design by Paul Groothuis. Bourne’s grand show will reach Ravenna after more than 100 sold-out performances in London. A supernatural love story in flesh and dream set to a powerful score by the musician who infused a soul to ballet music.www.new-adventures.net]]>
Drama & Ballet 0
21:00
Teatro Alighieri
Ticket Online »
Friday
31-05-2013
MATTHEW BOURNE'S SLEEPING BEAUTY
left1 Bourne’s Sleeping Beauty, a lush gothic tale of grim spells, ethereal fairies and gloomy vampires, starts in 1890, the year of its composition, and then moves forward to the modern day. It gorgeously completes Bourne’s trio of Tchaikovsky’s ballet masterworks that included the sublime all-male version of Swan Lake. Gracefully drawing from both Perrault and Disney, the whimsical British choreographer captivates the audience with amazing sets by Lez Brotherson, lighting by Paule Constable and surround sound design by Paul Groothuis. Bourne’s grand show will reach Ravenna after more than 100 sold-out performances in London. A supernatural love story in flesh and dream set to a powerful score by the musician who infused a soul to ballet music.www.new-adventures.net]]>
Drama & Ballet 0
21:00
Teatro Alighieri
Ticket Online »
Saturday
01-06-2013
MATTHEW BOURNE'S SLEEPING BEAUTY
left1 Bourne’s Sleeping Beauty, a lush gothic tale of grim spells, ethereal fairies and gloomy vampires, starts in 1890, the year of its composition, and then moves forward to the modern day. It gorgeously completes Bourne’s trio of Tchaikovsky’s ballet masterworks that included the sublime all-male version of Swan Lake. Gracefully drawing from both Perrault and Disney, the whimsical British choreographer captivates the audience with amazing sets by Lez Brotherson, lighting by Paule Constable and surround sound design by Paul Groothuis. Bourne’s grand show will reach Ravenna after more than 100 sold-out performances in London. A supernatural love story in flesh and dream set to a powerful score by the musician who infused a soul to ballet music.www.new-adventures.net]]>
Drama & Ballet 0
15:30
Teatro Alighieri
Ticket Online »
Saturday
01-06-2013
MATTHEW BOURNE'S SLEEPING BEAUTY
left1 Bourne’s Sleeping Beauty, a lush gothic tale of grim spells, ethereal fairies and gloomy vampires, starts in 1890, the year of its composition, and then moves forward to the modern day. It gorgeously completes Bourne’s trio of Tchaikovsky’s ballet masterworks that included the sublime all-male version of Swan Lake. Gracefully drawing from both Perrault and Disney, the whimsical British choreographer captivates the audience with amazing sets by Lez Brotherson, lighting by Paule Constable and surround sound design by Paul Groothuis. Bourne’s grand show will reach Ravenna after more than 100 sold-out performances in London. A supernatural love story in flesh and dream set to a powerful score by the musician who infused a soul to ballet music.www.new-adventures.net]]>
Drama & Ballet 0
21:00
Teatro Alighieri
Ticket Online »
Sunday
02-06-2013
MATTHEW BOURNE'S SLEEPING BEAUTY
left1 Bourne’s Sleeping Beauty, a lush gothic tale of grim spells, ethereal fairies and gloomy vampires, starts in 1890, the year of its composition, and then moves forward to the modern day. It gorgeously completes Bourne’s trio of Tchaikovsky’s ballet masterworks that included the sublime all-male version of Swan Lake. Gracefully drawing from both Perrault and Disney, the whimsical British choreographer captivates the audience with amazing sets by Lez Brotherson, lighting by Paule Constable and surround sound design by Paul Groothuis. Bourne’s grand show will reach Ravenna after more than 100 sold-out performances in London. A supernatural love story in flesh and dream set to a powerful score by the musician who infused a soul to ballet music.www.new-adventures.net]]>
Drama & Ballet 0
15:30
Teatro Alighieri
Ticket Online »
Sunday
02-06-2013
MATTHEW BOURNE'S SLEEPING BEAUTY
left1 Bourne’s Sleeping Beauty, a lush gothic tale of grim spells, ethereal fairies and gloomy vampires, starts in 1890, the year of its composition, and then moves forward to the modern day. It gorgeously completes Bourne’s trio of Tchaikovsky’s ballet masterworks that included the sublime all-male version of Swan Lake. Gracefully drawing from both Perrault and Disney, the whimsical British choreographer captivates the audience with amazing sets by Lez Brotherson, lighting by Paule Constable and surround sound design by Paul Groothuis. Bourne’s grand show will reach Ravenna after more than 100 sold-out performances in London. A supernatural love story in flesh and dream set to a powerful score by the musician who infused a soul to ballet music.www.new-adventures.net]]>
Drama & Ballet 0
21:00
Teatro Alighieri
Ticket Online »
Wednesday
05-06-2013
CONCERTO TREKKING
left1 One of the green cathedrals we can boast of is the Pinewood of San Vitale, the largest of Ravenna’s pine forests and one of stunning beauty. The pinewood extends on ancient fossil dunes of different heights, from flooded lowlands to higher ridges, waterways and lagoons, which account for the abundance of vegetation types. Natural scenarios for the trek concert will be provided by the pinewood’s typical corners: Ca Vecia, Bassa del Pirottolo, Pialassa Baiona, Buca del Cavedone, Fossatone. A fulesta, the old-time wandering storyteller of Romagna, will tell the tales of Mazapégul, a goblin from folk tradition, to the sound of the ocarina and accordion. He will lead us to the yard of the Ca Vecia, where the party atmosphere will reach its climax with traditional music, dances and food.www.trailromagna.eu]]>
Special Events 0
18:00
Pineta San Vitale, Ca Vecia
Ticket Online »
Thursday
06-06-2013
Progetto Ric.Ci
DUETTO (1989-2011)
left1Torinodanza In collaborazione con Amat-Associazione Marchigiana Attività Teatrali , Arteven Circuito Teatrale Regionale Veneto, Teatro Pubblico Pugliese. In coproduzione con Fondazione del Teatro Grande di Brescia, Fondazione Fabbrica Europa per le arti contemporanee, Fondazione Milano Teatro Scuola Paolo Grassi, Fondazione Ravenna Manifestazioni, Fondazione Teatro Comunale di Ferrara www.sienidanza.it]]>
Drama & Ballet 0
21:00
Teatro Rasi
Ticket Online »
Friday
07-06-2013
Progetto Ric.Ci
LA BOULE DE NEIGE (1985-2013)
left1Amat-Associazione Marchigiana Attività Teatrali Città di UrbinoIn collaborazione con Arteven Circuito Teatrale Regionale Veneto, Teatro Pubblico Pugliese. In coproduzione con Fondazione del Teatro Grande di Brescia, Fondazione Fabbrica Europa per le arti contemporanee, Fondazione Milano Teatro Scuola Paolo Grassi, Fondazione Ravenna Manifestazioni, Fondazione Teatro Comunale di Ferrara, Torinodanza. fabriziomonteverde.com]]>
Drama & Ballet 0
21:00
Teatro Rasi
Ticket Online »
Saturday
08-06-2013
Progetto Ric.Ci
CALORE (1982-2012)
left1Fondazione Teatro Comunale di Ferrara In collaborazione con Amat-Associazione Marchigiana Attività Teatrali, Arteven Circuito Teatrale Regionale Veneto, Teatro Pubblico Pugliese. In coproduzione con Fondazione del Teatro Grande di Brescia, Fondazione Fabbrica Europa per le arti contemporanee, Fondazione Milano Teatro Scuola Paolo Grassi, Fondazione Ravenna Manifestazioni, Torinodanza. enzocosimi.com]]>
Drama & Ballet 0
21:00
Teatro Rasi
Ticket Online »
Sunday
09-06-2013
REGARD SUR LE PASSÉ
1021956left1Alessandro Bonetti violino, mandolinoAnna Palumbo percussioni, fisarmonica, balafonCristiano Buffolino percussioniCristina Adamo flauto, ottavinoElide Melchioni fagotto, ocarina, piva emilianaFabio Gaddoni violoncelloFrancesco Giampaoli contrabbassoMarco Zanotti batteriaRosita Ippolito viola da gambaSilvia Turtura oboeTim Trevor-Briscoe clarinettoValeria Montanari clavicembaloCanto tradizionale “Keme Bourema”Ravenna Festival productionArmonie d'Arte Festival productionLP Brutture Moderne (Sidecar) productionpartnerAfrodisia, Bembeya Jazz National, TP Africa, La Favela Chicpremiere nell’ambito del progetto N.A.T. - Network for African Talents Within the age-old oral tradition of African epic songs, the anthem of Almamy Samori Toure best resumes the sufferings inflicted by colonialism and the marvellous poetry of popular music. Classica Orchestra Afrobeat re-proposes this milestone of African culture, made into an epic musical suite by Guinean National Bembeya Jazz in 1969. For the first time, their new arrangement includes instruments from European “serious” music alongside the African vocals. This bizarre ensemble boasts a unique tonal palette, a mixture of Baroque and popular styles at the confluence of Europe and Africa, enriched by the vocals of two internationally acclaimed african artists, Sekouba Bambino and griot Baba Sissoko. classicafrobeat.combabasissoko.com]]>
Special Events 0
21:00
Teatro Alighieri
Ticket Online »
Wednesday
12-06-2013
ELOGIO DE "LA FOLIA"
left1 In the essay by Erasmus of Rotterdam, Folly has a voice, and focuses on the debate on the conception of human nature that, from classical culture to the Renaissance, unfolds in the coincidence of opposites, or the dialectics of wisdom and folly. Now the choreographic writing of Simona Bertozzi delivers to the dialogue between bodies the opportunity to rewrite this combination and to variously rename the terms of the comparison as persistence and fragility, rigour and transfiguration, linearity and fragmentation. With the seriousness and the vertigo of those who put themselves at stake. An agreement between enforceable rules and the interstice of vision that found in the works of Corelli a suitable soundscape in which to pay homage to the mathematical force and poetic lightness of his music. simonabertozzi.it]]>
Drama & Ballet 0
21:00
Teatro Rasi
Ticket Online »
Thursday
13-06-2013
ANUANG'A AND MAASAÏ VOCALS
left1 Vertical energy, raw emotion and amplified gestures: in Feeling & Voices Fernando Anuang’A dances the deepest emotions of his country, Kenya. The power of the old men’s prayers, the stories of the women, the rituals, the love songs and war songs of the Maasai culture merge in a combination of primitive dance styles and modern gestural deconstruction. The Maasai vocalists will sing songs of wedding, birth, daily toils and trance. They will strip their roots bare to tell us of the Kenyan highlands, weaving plots of pure mystical dance. From Africa’s black and vivid heart down to France, where Anuang’A and his seven Maasai dancers have been living and working since 2000, this compelling catharsis of minds and senses will touch land in Ravenna. www.anuanga.com]]>
Drama & Ballet 0
21:00
Teatro Alighieri
Ticket Online »
Friday
14-06-2013
YO-YO MA cello
KATHRYN STOTT piano
left1Igor Stravinskij (1882-1971)Suite ItalienneIntroduzioneSerenataAriaTarantellaMinuetto e finale Heitor Villa-Lobos (1887-1959)Alma Brasileira (arrangiamento di Jorge Calandrelli) Ástor Piazzolla (1921-1992)Oblivion (arrangiamento di Kyoko Yamamoto) Camargo Guarnieri (1907-1993)Dansa Negra (arrangiamento di Jorge Calandrelli) Manuel de Falla (1876-1946)Sietes canciones populares españolas, G. 40El Paño MorunoSeguidilla muricanaAsturianaJotaNanaCanciónPolo Olivier Messiaen (1908-1992)"Louange à l'Éternité de Jésus" dal Quatour pour la fin du temps Johannes Brahms (1833-1897)Sonata n. 3 in re minore, op. 108AllegroAdagioUn poco presto e con sentimentoFinale: Presto agitato “Your playing is the best argument I’ve ever heard for the existence of God, because I don’t really believe a human alone can do this”: even the visionary genius of Steve Jobs was helpless at grasping the mix of unerring talent and omnivorous curiosity that are the secret of Yo-Yo Ma, one of the greatest cellists of all time and the best-known of the modern age. At seven he performed for President Kennedy (presented by Leonard Bernstein), and his fate was sealed. The odd patchwork of his biography – Chinese origins, French birth, American education – soon made him lose sight of musical genres: at ease with Bach and with Bobby McFerrin, he performs on his precious Petunia, a cello built by Montagnana in 1733, which he takes along unexpected paths straying from classical to country music. yo-yoma.comwww.kathrynstott.com]]>
Concerts 0
21:00
Palazzo Mauro de André
Ticket Online »
Saturday
15-06-2013
STEVE VAI & Evolution Tempo Orchestra
left1 We should thank great Jimmy Page since it was after listening to his solo on Led Zeppelin’s Heartbreaker that teenager Steve Vai began playing the guitar. A few years later, aged twenty, Vai was welcomed at the court of Frank Zappa (who dubbed him “my little Italian virtuoso”): that was the start of a stellar career as one of the greatest guitarists in the firmament of rock, a true “Paganini” of the third millennium whose performances regularly send fans into a frenzy. Seeing him perform with a large symphony orchestra and elaborate his dizzying, vibrating “string theories” will prove an unforgettable experience, even for non-aficionados of rock, who will discover an altogether unsuspected dimension of symphony orchestras. vai.com]]>
Concerts 0
21:00
Palazzo Mauro de André
Ticket Online »
Sunday
16-06-2013
LAUDI E CANZONETTE SPIRITUALI NELL'ORATORIO DI SAN FILIPPO NERI
left1 Can the songs Christians sing in Italian churches today be called popular? The condescending “all-is-well-as-long-as-you-sing” approach has permitted the uncritical introduction of quite different music models and styles, and the departure from a rich centuries-old tradition of art and faith. Popular is not “pop”. The liturgies we offer, starting from the extraordinary story of St. Philip Neri and his oratorios, propose some examples of genuinely popular liturgies, born among folks as traditional forms of worship, either directly or through the mediation of musicians and composers, as the Missa Luba, arranged by missionary Guido Haazen in 1954, or the Misa Criolla, composed by Argentinean Ariel Ramírez in 1964.]]>
Sunday Liturgies 0
11:30
Basilica di Sant'Agata Maggiore
Free entrance
Sunday
16-06-2013
CAPELLA SAVARIA
left1 There is hardly a composer in the history of music that has not drawn either melodies or rhythmic and formal structures from dance. Telemann is no exception – his Overture: Les nations anciennes et modernes is a suite of dance movements which musically illustrate the alleged characters of the German, Swedish and Danish people, and which satirically portray the vieilles femmes. There follows a selection of Hungarian dances of the xviii and xix centuries, either anonymous and found in old collections like the Pozsony manuscript, or only known by their place of origin, like Nagyszombat, the Slovak city of Trnava. Also featuring are some dances by Hungarian composer and violinist Márk Rózsavölgyi, which Liszt highly appreciated in Pest in 1846 and later used in his own Hungarian Rhapsodies. capellasavaria.hu]]>
Concerts 0
21:00
Teatro Alighieri
Ticket Online »
Monday
17-06-2013
Urban Trekking
RAVENNA CITTÀ D'ACQUE
left1 In the UN International Year of Water Cooperation, Trail Romagna proposes a city hike through Ravenna’s old and new waterways. A “journey” through the city’s urban and hydrographical stratifications over the centuries, from the Roman to the Byzantine town, from the medieval Ravenna to the city we know today: the hike will rediscover the historical, indelible relationship of Ravenna with its waters, with the aid of interactive and sonorous installations which will take us back to places which are no longer there – mills, abandoned springs, ancient wash-houses, wells... The music of Napolincanto will mark some of the stops, and Gianni Aversano, a talented actor, will relive the hilarious characters of Neapolitan folklore like Pulcinella, to name the most famous one. napolincanto.com]]>
Special Events 0
19:00
Public Garden
Ticket Online »
Tuesday
18-06-2013
La Balera ai Giardini
POLKA DAY
left1 Like a farmyard decked out for a party, Ravenna’s public gardens will be transformed into an open-air dance hall. Since the late xix century, dance halls have been the true places of the Romagna heart, marking the pace of life to the music of entire generations. Traditional Romagna’s folk dance music, liscio, will return, released from the reins of sterile philology and still full of its original driving force and extraordinary vitality. The sound of frenzied C clarinets and the mournful voice of the most persuasive saxophones will blend in a relentless procession of polkas and popular tunes: a challenge for the most tenacious dancers, capable of dragging even the most untrained and reluctant listeners to the dance floor.]]>
Drama & Ballet 0
21:30
Public Garden
 
Wednesday
19-06-2013
OMAGGIO A BERIO
left1Calmo (1974, revisione 1989)(in memoriam Bruno Maderna)per mezzosoprano e 22 strumenti testi da: Omero, Edoardo Sanguineti, Saadi, Cantico dei Cantici, lirici greciCries of London (1974, rielaborazione 1976)per otto vocitesto: grida dei venditori nelle strade della vecchia LondraNaturale (1985)su melodie sicilianeper viola, percussioni e voci registrateLaborintus II (1965)per voci, strumenti e nastro magnetico Testo di Edoardo Sanguineti“Music is everything that one listens to with the intention of listening to music: the search for a border that is continuously removed.” In the hands of Berio, straddling this invisible border, everything became music through relentless study and analysis, and above all through experiment and the invention of the possible. Thus, upsetting all false hierarchies, “popular” and “art” music traditions met and blended, revealing remote and unsuspected affinities. As in Cries of London, where the humble cries of Old London street vendors evoke the most refined madrigals, or in Naturale, where the complex Sicilian folklore is condensed in the voice of Celano, the last local storyteller, having no less dignity than Dante’s and Sanguineti’s verse featured in Laborintus ii.]]>
Concerts 0
21:00
Teatro Alighieri
Ticket Online »
Thursday
20-06-2013
La Balera ai giardini
BANDITALIANA & FANFARA TIRANA
left1 Born in the xix century in the wake of Straussian waltz, liscio is now a synonym for popular dance. However, its popularity with the lower classes led to the depreciation of its artistic value and classified it as “lower culture”. Riccardo Tesi, starting from his successful album Un ballo liscio (1995), was among the first to highlight the richness of liscio music, its history, melodic quality, rhythmic variety and instrumental virtuosity. In 2010, Claudio Carboni, the saxophonist of Tesi’s band, paid a passionate tribute to Secondo Casadei with the album Secondo a nessuno. Banditaliana now revisits the tradition of the liscio blending it with the rhythms and sounds of Fanfara Tirana, a typical and powerful Albanian wedding band. An explosive encounter between different cultures sharing common characteristics. riccardotesi.comfanfaratirana.com]]>
Concerts 0
21:30
Public Garden
Ticket Online »
Friday
21-06-2013
Excellent male roles in classic and modern ballet
IVAN PUTROV - MEN IN MOTION
left1L’après-midi d’un faunecoreografia di Vaslav Nijinskijmusica di Claude Debussyinterpreti Elena Kuzmina, Andrej Merkur’ev Danza degli spiriti beaticoreografia di Fredrik Ashtonmusica di Christoph Willibald Gluckinterprete Ivan Putrov New Duetinterpreti Simon Williams, Aaron Sillis Beginningcoreografia di Vladimir Varnavamusica di Erik Satieinterprete Igor Kolb La morte del cignocoreografia di Tim Rushtonmusica di Camille Saint-Saënsinterprete Andrew Bowman Vestrismusica di Gennadij Bansčikovinterprete Andrej Ivanov Le spectre de la rosecoreografia di Mikhail Fokinmusica di Carl Maria von Weberinterpreti Elena Kuzmina, Ivan Putrov Petruškacoreografia di Mikhail Fokinmusica di Igor Stravinskijinterprete Andrej Ivanov Swan Lake (pas de deux)coreografia di Matthew Bournemusica di Pëtr Il’icˇ Cˇajkovskijinterpreti: Simon Williams, … Leda e il cignocoreografia di Elena Kuzminamusica di Philip Glassinterpreti Elena Kuzmina, Igor Kolb Adagiocoreografia di Aleksej Mirošničenkomusica di Johann Sebastian Bachinterprete Andrej Merkur’ev Narcisocoreografia di Kas’jan Golejzovskijmusica di Nikolaj Čerepnininterprete Andrew Bowman Two times Twocoreografia di Russell Maliphantmusica di Andy Cowtoninterpreti Aaron Sillis, Ivan Putrov Ivan Putrov, a former Royal Ballet principal, conceived this gala of choreographies to celebrate the beauty of the male form in motion. Men in Motion, debuted at London’s dance temple, Sadler’s Well, is the manifesto of this Ukrainian dancer who, in 2010, aged 30, suddenly left the Royal Ballet giving no reason for his departure. The melancholy and solitary Putrov stages several choreographies made famous by a restless étoile and fellow Ukrainian, the great Nijinsky, alongside some more recent important creations that he proposes with a taste for steely balance and purity of line remindful of Renaissance painting. The male dancer here emerges as a star in his own right, rather than merely an adjunct to the ballerina. putrov.com]]>
Drama & Ballet 0
21:30
Palazzo Mauro de André
Ticket Online »
Saturday
22-06-2013
La Balera ai Giardini
Si balla con l'Orchestrona
Drama & Ballet 0
18:30
Public Garden
Free entrance
Saturday
22-06-2013
AN EVENING WITH BURT BACHARACH
& Orchestra Giovanile del Teatro dell'Opera di Roma
left1 Think Burt Bacharach, and Magic Moments, Raindrops Keep Fallin’ On My Head, Paul Newman’s Butch Cassidy and David Niven’s James Bond in Casino Royale automatically leap to mind. One is also reminded of such exceptional interpreters as the Beatles, Dionne Warwick, Aretha Franklin, Tom Jones, Elvis Costello (plus our Mario Biondi and Chiara Civello); of such artists as Stan Getz and Wes Montgomery, who adapted some of Bacharach’s hits as jazz standards. Bacharach, born in 1928, can now boast an almost-60-year career, over a hundred top‑of-the-charts hits in Britain and in the US, three Oscars for best soundtrack and songs in 1970 and 1982: what more do you need for an evening of superb music?]]>
Concerts 0
21:30
Palazzo Mauro de André
Ticket Online »
Sunday
23-06-2013
MISA CRIOLLA
left1 Can the songs Christians sing in Italian churches today be called popular? The condescending “all-is-well-as-long-as-you-sing” approach has permitted the uncritical introduction of quite different music models and styles, and the departure from a rich centuries-old tradition of art and faith. Popular is not “pop”. The liturgies we offer, starting from the extraordinary story of St. Philip Neri and his oratorios, propose some examples of genuinely popular liturgies, born among folks as traditional forms of worship, either directly or through the mediation of musicians and composers, as the Missa Luba, arranged by missionary Guido Haazen in 1954, or the Misa Criolla, composed by Argentinean Ariel Ramírez in 1964.]]>
Sunday Liturgies 0
11:30
Free entrance
Sunday
23-06-2013
Da Weber a Casadei passando per Strauss
UN CLASSICO GIRO DI VALZER
left1Franz Schubert (1797-1828)Sinfonia n. 5Carl Maria von Weber (1786-1826)Invito alla danza op. 65(orchestrazione di Hector Berlioz)Johann Strauss figlio (1825-1899)“Voci di primavera” Valzer op. 410Romanza per violoncello e orchestra in re minore op. 24“Dolci pianti” per violoncello e orchestra in sol maggiore op. postumaRomanza per violoncello e orchestra in sol minore op. 255Jean Sibelius (1865-1957)Valse triste op. 44Fritz Kleiser (1875-1962)Liebesleid per violoncello e orchestraJohann Strauss figlio“Pizzicato” Polka op. 234“Cuor leggero” Polka op. 319Secondo Casadei (1906-1971)Dolore (arrangiamento di Giorgio Babbini) From the lyrical themes of Schubert’s Fifth Symphony, scored for a chamber setting (no trumpets, timpani or clarinets) to match Mozart’s KV 550, clearly recalled in the Menuetto, to Johann Strauss Jr.’s poignant waltzes for cello solo; from Weber’s Invitation to the Dance, scored for the piano and later orchestrated by Berlioz, to Sibelius’s Valse triste. Let’s be dragged into a Waltz that can only move from Vienna, with the Voices of Spring waltz, still echoing its first solo singer, who celebrated the awakening of nature in spring, or with such famous scores as the Pizzicato polka and Light Blood. But let’s not forget our “local” Waltz, with a tribute to the “Strauss from Romagna”, Secondo Casadei.]]>
Concerts 0
21:30
Palazzo Mauro de André
Ticket Online »
Monday
24-06-2013
La Balera ai Giardini
Pasión Argentina
Drama & Ballet 0
18:30
Public Garden
Free entrance
Monday
24-06-2013
La Balera ai Giardini
MILONGA con EL CACHIVACHE
left1 At the beginning of the xx century, the sensual and irresistible rhythm of the Tango landed in Europe and Italy from the remote Rio de la Plata, sparking the ire of right-thinking censorship. Since then the Tango has carved for itself an important place within “art” music. But it is neither from its more or less “educated” revisions nor from its deferential concert form that El Cachivache draw. The four musicians started playing together in 2008 under an ironic name which literally means “junk, scrap”, but they soon made their way up from the venues of Bilbao and Pamplona to Paris first and then to the European milongas. With a rhythmically distinctive repertoire and style, they put dance first: their Tangos, Milongas and Waltzes are a pleasure for the ear, but best enjoyed when dancing.]]>
Drama & Ballet 0
21:30
Public Garden
 
Tuesday
25-06-2013
La Balera ai giardini
EQU
left1 A new generation of musicians re-imagines the century that saw the Romagna region give rise to a new type of dance music. Equ’s latest work, Un altro me, blends rock, jazz and blues to take us back in time. “It starts in the evening, from our roots, our thinking that makes us move from where we were to where we are.” The songs of Equ, a band from nearby Santa Sofia that quickly made a name as one of the best Italian groups, are constructed with rare skill. Their poetic density and the evocative power of their lyrics, the sophisticated musical references and the dramatic quality are reminiscent of the best concept albums of the golden age of Italian and British progressive rock, as compelling as a noir d’auteur.]]>
Concerts 0
21:30
Public Garden
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Wednesday
26-06-2013
La Balera ai giardini
GIANLUIGI TROVESI E GIANNI COSCIA
left1 “A symphony orchestra with all the colours of music... fun and deep at one time.” These are Paolo Fresu’s words on the Trovesi‑Coscia duo, who have delighted many for nearly two decades. Classical and popular music, folk and jazz are a fertile ground for them, and a suitable one for a greatly enjoyable genre-blurring synthesis. In the words of Umberto Eco, a fellow citizen and old friend of Coscia’s, “We are in the presence of a new transversality where distinctions of genre vanish, while a certain attention is paid (and this is something new) to Italian folk music, so that the bringing together of apparently irreconcilable traditions is an appeal to the spirits of musical families that never were.” And the two jazz musicians the world now widely recognises can try their hand at a magical mazurka. gianluigitrovesi.itgiannicoscia.it]]>
Concerts 0
21:30
Public Garden
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Thursday
27-06-2013
CHE COSA SONO LE NUVOLE
left1What are the clouds presents Shakespeare’s Othello as a human puppet show where the characters face life with poetic simplicity and a taste for levity that will not fail in front of the tragic aspects of existence. The short film Pasolini shot in 1967 is the starting point for an investigation of society and the individual in our fierce and vulgar times, devoid of ethics and with no sense of belonging. The result is a fresco fraught with contradictions, a journey “in a dream within a dream” in search of lost humanity. Lupinelli has always weaved his path with diverse people and places: from former psychiatric patients to the members of the Roma community in Scampia to the disabled children of Castiglioncello.]]>
Drama & Ballet 0
19:00
Public Garden
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Thursday
27-06-2013
Tribute to Secondo Casadei
SECONDO A NESSUNO
left1Moreno “il Biondo” & Grande EventoRoberto Forti batteriaVince Vallicelli* batteriaGiuseppe Zanca bassoRomeo Natarella* contrabbassoSimone Oliva* chitarraMichele Scarabattoli tastiereAngela Benelli* violinoEnrico Milli trombaWalter Giannarelli fisarmonicaFiorenzo Tassinari* sax mibMoreno Conficconi* clarinettoMauro Ferrara voceAnna Maria Allegretti voce* musicisti che compongono la formazione "Sestetto 1928" An inexhaustible melodic vein, the tenacity of a passion that knew no obstacles and an extraordinary nose for novelty to be married to tradition: the legend of Secondo Casadei feeds on all this, and on the unconditional love the “father” of liscio always felt for his audience. From village festivals to hit parades, to the worldwide success of a simple song like Romagna mia, the fifty‑year creative career of the violinist from Sant’Angelo di Gatteo marked the transition to modernity of a land that founded its own identity on the liscio and on the irreducible enthusiasm of its “maestro”: legend has it that Secondo left his wife and guests at his own wedding party to go and play with his orchestra. He was like that: to him, music always came first.]]>
Concerts 0
21:00
Palazzo Mauro de André
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Friday
28-06-2013
SANT'EFREM MALE CHOIR
left1Concerto di campaneMárk BubnóPadre Nostro popolare giorgianoAl masih (canto pasquale libanese, arrangiamento di György Philipp)Canti popolari greci per la Pasqua (arrangiamento di György Philipp)Michail Glinka (1804-1857)Canto dei Cherubini Franz Liszt (1811-1886)Slavimo slavno slaveni! Lesya DichkoJedinorodni Síne (canto liturgico)*Le beatitudiniConcerto di campane Sergej Rachmaninov (1873-1943)Salmo 103*Concerto religioso Modest Musorgskij (1839-1881)L'angelo gridò (inno pasquale)Concerto di campaneTamás BubnóNatale di Abaúj (canto popolare itinerante) Béla Bartók (1881-1945)Canti popolari "Székely" Zoltán Kodály (1882-1967)Canto serale *Solista: Klára Lóczi, mezzosoprano St. Ephrem the Syrian, Doctor of the Church, often referred to as the “Harp of the Holy Spirit”, was the first great Byzantine hymnographer in the fourth century. He was a natural inspiration for church musician and director Tamás Bubnó, who, in 2002, discovered an unknown manuscript of the Liturgy for male choir composed by János Boksay (1874-1940) and decided to found an ensemble named after the Saint to perform the ecclesiastical music of the Byzantine rite. Since then, they have proposed the classics of Slavonic-Orthodox music, alongside such authors as Liszt, Bartók, Kodály, Ligeti and contemporary composers. The choir also performs compositions from the Western Catholic and Protestant liturgical tradition.]]>
Concerts 0
21:00
Basilica di San Vitale
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Friday
28-06-2013
La Balera ai giardini
VINCE VALLICELLI & STRINGS
left1Vince Vallicelli batteria, voce solista, chitarra acustica, arpettaRita Girelli basso elettricoAndrea Costa violinoAntonio Gramentieri lap steel, chitarra baritonoVanni Bendi chitarra elettricaNahuel Schiumarini chitarra elettricaBubi Staffa pandeiro, fratoir, tablaMarta Celli arpa celticaAlberto Bazzoli organo Hammond, Fender Rodhes pianoCarlo Vallicelli batteriaElisa Ridolfi voce solista, coriSara Zaccarelli voce solista, coriLiza Vallicelli, Simona Gatto, Laura Zoli, Pierpaolo Sedioli, Manuel Mambelli, Valerio Bellettini coriore 23“Liederistica romagnola”Celeste e Matilde Pirazzini voci The sounds of classical music contaminate the “unstoppable engine” of blues to enhance the musicality of the Romagna dialect and make it international. Forlì‑born drummer Enzo “Vince” Vallicelli and Orchestra Sinfonica Maderna stage their project in the dance hall in the Gardens: the melancholy and goliardic songs of Côm’un Cân Sôta la Lôna (Like a dog in the moonlight) blend great blues with ethnic digressions and strings, and restore dignity to a language usually relegated to the ghetto of folk music and debasing clichés. Vallicelli, an artist who is always in search of “unbounded sonorities” and whose lyrics sing of man’s rebellion to the malaise of everyday life, thus recovers his own roots.]]>
Concerts 0
21:30
Public Garden
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Sunday
30-06-2013
MISSA LUBA
left1 Can the songs Christians sing in Italian churches today be called popular? The condescending “all-is-well-as-long-as-you-sing” approach has permitted the uncritical introduction of quite different music models and styles, and the departure from a rich centuries-old tradition of art and faith. Popular is not “pop”. The liturgies we offer, starting from the extraordinary story of St. Philip Neri and his oratorios, propose some examples of genuinely popular liturgies, born among folks as traditional forms of worship, either directly or through the mediation of musicians and composers, as the Missa Luba, arranged by missionary Guido Haazen in 1954, or the Misa Criolla, composed by Argentinean Ariel Ramírez in 1964.]]>
Sunday Liturgies 0
11:30
Basilica Metropolitana
Free entrance
Sunday
30-06-2013
La Balera ai Giardini
Morsi dalla Taranta
Drama & Ballet 0
18:30
Public Garden
Free entrance
Sunday
30-06-2013
Tribute to Michael Jackson
ENRICO RAVA ON THE DANCE FLOOR
left1 Poetry, easy melodies and moments of introspection come together in a touching act of love. With We Want Michael, jazz veteran Enrico Rava unveils the hidden beauty and unexpected complexity of Michael Jackson’s music. Two far‑away worlds thus come together in an extraordinary event, a tribute that preserves the personality of the Italian trumpeter intact. Rava conceived the project soon after Jackson’s death, but it was Mauro Ottolini, who signs the arrangements, who helped realize it. In Rava’s own words: “I have known Michael Jackson’s music since the ’70s, when I lived in New York, but only recently did I realize that I had missed something important. Playing his music just seemed to me the most natural thing to do.” enricorava.com]]>
Concerts 0
21:00
Palazzo Mauro de André
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Monday
01-07-2013
La Balera ai giardini
CASADEI SECONDO me
left1 Although described as “the man who defeated the boogie,” Secondo Casadei availed himself of the sounds and rhythms from overseas and incorporated them into his own language to create a very special “local” swing that became all the rage in post-WWII Romagna. So it is no wonder if Simone Zanchini, an amazing accordionist, proposes his own specially commissioned jazz arrangements of Secondo’s most popular tunes.The music of Sacri Cuori is the folk music of non-existing countries at the crossroads between Romagna and the great spaces of the American Southwest. Theirs is a “one-off” show, inspired by dance hall music and enriched by very special guests, in a short circuit between past, present and future. On with the Lee-Show!]]>
Concerts 0
21:30
Public Garden
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Tuesday
02-07-2013
Dada Masilo's SWAN LAKE
left1 Twenty-seven is old enough to make Dada Masilo bold, confident and willing to tackle one of Tchaikovsky’s most traditional and universally beloved ballets in her latest creation: Swan Lake. Dada’s African roots and contemporary vocation surface in the choral bickering of white tutus and ebony skin, which stays true to the classic’s original aura while transforming it through the vivid colours of the South African land: energetic life pulse, humour and the issue of sexes, genders and homophobia in an AIDS-ravaged country. Pointe shoes, swaying hips and tribal rhythm cleverly and courageously combine into a savoury mix.]]>
Drama & Ballet 0
21:30
Palazzo Mauro de André
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Tuesday
02-07-2013
DA MONTEVERDI A MINA
left1Claudio Monteverdi (1567-1643)Il lamento della ninfa Biagio Marini (1594-1663)Donna che loda il canto di bellissimo giovinettoVurria ca foss’io ciarla (villanella xvi sec.) Mina - Gino PaoliIl cielo in una stanza Barbara Strozzi (1619-1677)Che si può fare Claudio MonteverdiSi dolce è l’tormento Giovanni Battista Vitali (1632-1692)Capritio sopra otto figure Johannes Hieronymus Kapsberger (ca. 1580-1661)Già risi del mio mal Francesco Cavalli (1602-1676)Lasso io vivo, e non ho vitaTarantella alla Carpinese (tradizionale xvii sec.) Mina - Roberto SofficiNon credere Francesco Corbetta (1615-1681)Ciaccona Luigi Tenco (1938-1967)Vedrai, vedrai Pietro Andrea Ziani (1616-1684)Dormite oh pupille Mina - Bruno CanforaMi sei scoppiato dentro al cuore Claudio MonteverdiDamigella tutta bella Mina - Bruno CanforaUn bacio è troppo poco Sting had done something similar seven years ago, when he revisited the xvii century songs by John Dowland with his unmistakable vocal timbre, accompanied by lutenist Edin Karamazov. Vincenzo Capezzuto, a rare and indefinite vocal timbre, and the ensemble Soqquadro Italiano go even further: they approach two Cremona-born artists, separated by four centuries of music history, and serve the songs and madrigals by Claudio Monteverdi (1567‑1643) along with Mina’s (b. 1940) big hits, from Cielo in una stanza to Un bacio è troppo poco. They also weave in some big names from the xvii and xx centuries: singer and composer Barbara Strozzi (a true singer‑songwriter of the xvii century), great opera composer Francesco Cavalli and Luigi Tenco with Vedrai, vedrai. soqquadroitaliano.it]]>
Concerts 0
21:30
Public Garden
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Wednesday
03-07-2013
OMAGGIO A GIUSEPPE VERDI
conductor RICCARDO MUTI
left1 Some music scores have a mysterious expressive force that pulls them from their author’s control and immediately makes them live of their own and enter the legend. This happened to much of Verdi’s music: arias, choruses, symphonies that soon after their first performance left the narrow walls of opera houses to become “common heritage”. They took on the brilliant timbre of street bands, the intimate tone of drawing‑room pianos and even the rough taste of barrel organs. Then they returned to the theatres, charged with a “popularity” that made them an indelible mark of national identity, tiles in a symphonic-choral mosaic Italians can enthusiastically and proudly belong in, as outlined by Riccardo Muti, Verdi’s interpreter par excellence. riccardomuti.comorchestracherubini.it]]>
Concerts 0
21:00
Palazzo Mauro de André
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Thursday
04-07-2013
OMAGGIO A GIUSEPPE VERDI
conductor RICCARDO MUTI
left1con il patrocinio dell'Unione Comuni Modenesi Area Nord: Camposanto, Cavezzo, Concordia, Finale Emilia, Medolla, Mirandola, San Felice, San Possidonio, San Prospero The urgent “call” that in recent years has prompted the Festival to walk down the paths of friendship to different corners of the world, to cities scarred by war and age-old misunderstanding, to blend the voices of different people under the sign of brotherhood, is heard once again. The destination is neighbouring Emilia, devastated by earthquakes, in a hug for its population who, far from succumbing to despair, are rebuilding their world and facing the “difficult” times the whole country is going through. In the main square of Mirandola, amid open wounds, hundreds of young Emilian instrumentalists and singers, orphaned of their music schools, will join the musicians of the Cherubini and OGI in what the town’s mayor called “a necessary hug for our dignity and rebirth.”]]>
Concerts 0
21:00
Mirandola (MO), Piazza della Costituente
 
Thursday
04-07-2013
La Balera ai Giardini
GRAN BALLO BOLOGNESE ALLA "FILUZZI"
left1 A historical walk-through, from the leaping dances of the Bologna Apennines, kept alive by Suonatori della Valle del Savena, to the liscio, the ballroom dancing that spread to the mountains and was adopted by local orchestras (typically violins, bass violin and guitar) ready to renew their formation and repertoire, to the urban-style of Bologna’s Filuzzi. Our guests are Paolo and Marco Marcheselli (guitar and Bolognese accordion) with Antonio Clemente and Loris Brini, exceptional interpreters of the polka chinata (danced with bent knees by two male partners). An unmissable chance to see the leaping dances (hardly seen in Romagna today) and the virtuosity of the waltzes, polkas and mazurkas à la Filuzzi; an opportunity to dance the liscio alongside the simpler dances of the mountain tradition.]]>
Drama & Ballet 0
21:00
Public Garden
Free entrance
Friday
05-07-2013
"La band regina del funk revival!" London Jazz
PB UNDERGROUND
left1 PBUG, led by star drummer Pete Ray Biggin, is the UK’s hottest funk sensation. The band has taken the UK funk scene by storm building a loyal fan base and sweeping reviewers off their feet in a blitz of energy and ferocious musical talent. The musicians are a who’s who of the hottest session players on the London scene. Biggin is the band’s MD and predominant composer, and a regular performer with Level 42, Incognito, Amy Winehouse, Chaka Khan and Mark Ronson. The rhythm section is the core of the band, guys who make a phenomenal sound together, yet give them a moment to solo and they’ll rip up the musical landscape. The horn players know their funk: in the studio they are a mass of musical invention – they literally ooze creativity and write some of the craziest horn lines you’ll hear. thepbunderground.com]]>
Concerts 0
21:30
Public Garden
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Saturday
06-07-2013
SIDI LARBI CHERKAOUI
m¡longa
left1 “What attracts me most about tango is the eternal embrace of the dancers”: this love for the hypnotic body contact of the Argentinean dance strikes its roots in the early career of Cherkaoui, the 37 year old Flemish choreographer widely acknowledged as a major voice on the international scene. This cross-cultural, cross-disciplinary poet of contemporary dance loves the sexuality, power and beauty with which tango has captivated the world and, with a talented cast of Argentinean dancers and live musicians, he pioneers in the first international large-scale production about tango to be directed by a non-Argentinean. The intimate, late night bar atmosphere of Buenos Aires milongas thus blends with a contemporary touch of tango fusion dance under the creative and passionate perspective of a foreigner. www.sadlerswells.com]]>
Drama & Ballet 0
21:30
Palazzo Mauro de André
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Saturday
06-07-2013
La Balera ai giardini
LA BANDA
left1 For at least two centuries, in Apulia, marching bands have been the best school for professional music training. Bands celebrate all civil and religious occasions, and contribute to spread the opera repertoire in its transcriptions for wind instruments. But the band from Ruvo, guided by Pino Minafra, is more than this: owing to a versatility that allows tackling the most different languages, it started fruitful collaborations with some major jazz musicians. The programme starts from the traditional repertoire (conducted by Michele Di Puppo), then moves on to a journey through experimentation conducted by Pino Minafra with the collaboration of Livio Minafra (piano and accordion) and female vocal quartet Faraualla.]]>
Concerts 0
21:30
Public Garden
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Sunday
07-07-2013
CANTI LITURGICI POLIFONICI DELLA TRADIZIONE POPOLARE SARDA
Sunday Liturgies 0
11:30
Basilica di San Francesco
Free entrance
Sunday
07-07-2013
DA NOTRE DAME AL MONTIFERRU
left1Pérotin (1160–1230 ca.)Beata viscera su Cuncordu ’e su RosariuStabat Mater Josquin Desprez (ca. 1450-1521)Stabat Mater, a 5 su Cuncordu ’e su RosariuKyrieCredo Guillaume de Machaut (1300-1377)Kyrie dalla Missa de Notre Dame Gaspar van Weerbecke (ca. 1445 - post 1517)Tenebrae factae sunt, a 4 su Cuncordu ’e su RosariuMiserere Josquin DesprezMiserere mei, Deus su Cuncordu ’e su RosariuTe Deum Medieval and Renaissance polyphony, reconstructed by Ensemble Odhecaton on the basis of their study of historical sources, alternates with the polyphony the choir from Santu Lussurgiu sings for the Holy Week rituals, following an ancient custom handed down orally. The singers belong to the Confraternity of the Holy Rosary, actively engaged in the rites of Maundy Thursday and Good Friday, especially the mystery plays of Christ’s crucifixion and deposition from the cross. The common ground of devotional polyphony is at the basis of this especially evocative and challenging project, which considerably expands Odhecaton’s research horizon on sacred polyphony by approaching two different traditions of music making. odhecaton.it]]>
Concerts 0
21:00
Basilica di San Vitale
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Sunday
07-07-2013
La Balera ai giardini
BANDERVISH
left1 The collaboration of Radiodervish with the band of Sannicandro gave birth to Bandervish, a project combining the sounds of marching bands and the music of Apulian civil and ritual processions with the melodies of Radiodevish and the jazz piano of Livio Minafra on a journey across the Mediterranean: from famous Middle Eastern songs like Fogh en Nakhl and Lamma Badà to the best-known hits of Radiodervish like Centro del mundo, L’esigenza and L’immagine di te, quoting, among others, great Egyptian singer Oum Kalthoum and Ennio Morricone’s themes. A proof of the versatility of Apulian bands, and of their willingness to incorporate any repertoire in their warm sound of woodwinds and brass, enveloping it in the ceremonial atmosphere of traditional festivities.]]>
Concerts 0
21:30
Public Garden
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Sunday
07-07-2013
COMPAÑIA ESPAÑOLA DE DANZA MIGUEL ÁNGEL BERNA
BAILANDO MI TIERRA... MUDÉJAR
left1orchestraAlberto Artigas bandurria, laudAntonio Bernal bassoGuillermo Gimeno chitarraMiguel Ángel Fraile flauti, cornemusaJosué Barres cajon, percussioniJosé Luis Seguer percussionicantadora Maria José Hernandezcoreografia e regia Miguel Ángel Bernacostumi Maria José Moradisegno e direttore luci Bucho Cariñenadirettore suono Kike Cruzdirettore tecnico Sergio Claveras (Pluto)una produzione del Centro Aragonés de Danza Zaragoza Miguel Ángel Berna is one of the great of Spain, the modern hero of an ancient dance, the jota, still performed in Aragon after over a thousand years. A virtuoso of castanets (or castañuelas, the stars of this dance) and a wonderful dancer with a great personality, Berna has created his own new choreographic technique using the typical codes of folklore. Elegant silhouette, style, temperament, finesse and power are the qualities that brought Berna to triumph on the most prestigious scenes worldwide. His feet firmly planted on the ground, his hands magically evoking the freedom of the spirit: Berna’s dance builds on the roots of pure jota but gazes ahead to future new trends. The result? A powerful, exciting, original language filled of hypnotic beauty.]]>
Special Events 0
21:30
La Cava degli Umbri, San Marino
 
Monday
08-07-2013
MARTHA ARGERICH & FRIENDS
left1 With Martha Argerich, the expression “a life for music” becomes an understatement: an exceptional talent at the age of five, the winner of Busoni (Bolzano) and Geneva International competitions at 16 and of the Chopin competition in Warsaw 8 years later, Argerich has dwelt in the empyrean of great pianists for more than half a century. She has also promoted a number of younger musicians, and her annual festival has launched many young pianists who have made the news. She holds countless recitals “with friends”, in which she approaches different languages and styles, bringing together traditional Jewish music, Messiaen, Debussy, Piazzolla, Schumann and the tango: a clever way of reminding us that Music – with a capital M – is one. www.marthaargerichpresents.com]]>
Concerts 0
21:00
Palazzo Mauro de André
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Tuesday
09-07-2013
TAME IMPALA
left1 Innerspeaker, the debut album of this band from Perth, was greeted with enthusiasm by critics and public, who praised their bold, modern use of a vintage sound that seemed lost forever and their knack for melodies that stick to mind. Lonerism (meaning something like “splendid isolation”) marked a leap forward for the band, with its even more cosmic and evocative feel. This pure 2.0 psychedelia recalls with no easy nostalgia the “endless summer” of the ’60s: the persuasive vintage keyboards and vocals by lanky, freaky Kevin Parker will get you lost in a thrilling sound experience and make sure you have no desire to find a way out. www.tameimpala.com]]>
Concerts 0
21:30
Rocca Brancaleone
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Tuesday
09-07-2013
La Balera ai giardini
VIOLINI DI SANTA VITTORIAVIOLINI DI SANTA VITTORIA
left1 Santa Vittoria, near Gualtieri, was known as the country of the hundred violins. At the turn of the xix and xx centuries, this small corner of the Reggio Emilia province, on the banks of the Po river, was home to a tradition of dance orchestras or “concertos” consisting of mere strings (three violins, viola and double bass), which contributed to the diffusion of the new couple dances from Central Europe: waltz, polka, mazurka. The members of these orchestras were often humble labourers: for them, music making was not only a source of extra income, but also a vital aspect of social life and an instrument for emancipation. Their repertoire is back, preserved by such family orchestras as Concerto Bagnoli, active between the ’20s and ’30s of the xx century.]]>
Concerts 0
21:30
Public Garden
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Wednesday
10-07-2013
RICORDANDO ASTOR
left1José BragatoTres movimientos porteños per quartetto d’archiPopularRomanticoCulto Alberto Ginastera (1916-1983)Tres piezas per quartetto d’archi (arrangiamento di Juan Lucas Aisemberg)Canciòn al arbol del olvidoZambaDanza de la moza donosa Juan Carlos Cobián (1896-1953)La casita de mis viejos per quintetto d’archi (arrangiamento di Pascual Mamone) Sebastián Piana (1903-1994)Milonga triste per quintetto d’archi (arrangiamento di Pascual Mamone) Osvaldo Pugliese (1905-1995)Recuerdo per quintetto d’archi (arrangiamento di Pascual Mamone) Ástor Piazzolla (1921-1992)Las cuatro estaciones porteñas per pianoforte e quintetto d’archi (arrangiamento di José Bragato e Juan Lucas Aisemberg)Otoño porteñoInvierno porteñoPrimavera porteñaVerano porteñoAdiós Nonino per pianoforte e quintetto d’archi An extraordinary composer and a major bandoneon player of the xx century, Astor Piazzolla has not only revolutionized the tango by following in the wake of an extremely rich tradition, but has the great merit of having expanded and enriched its span, transforming it into a musical form in which any citizen of the world can be recognized. His music is performed everywhere by major international artists, loved by the public at all latitudes. In particular, it is young people who have discovered in his music an original and fascinating mix of tango, jazz and classical music capable of raising emotions not easily found in the music of our time. www.centroastorpiazzolla.org]]>
Concerts 0
21:30
Chiostro Biblioteca Classense
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Wednesday
10-07-2013
La Balera ai giardini
MELODRAMMA BALLABILE
left1 When Giuseppe Donati from Budrio produced the first ocarina in 1853, Verdi had already staged his most famous and beloved titles, and the waltz, which had broken into the halls of the European high bourgeoisie more than half a century earlier, was regaining its original popular feel. This is not to measure the level of “contamination”, but to establish the moods of the time when the opera left theatres for main squares and the waltz infiltrated Verdi’s opera (and not only his). And the ocarinas organised into “orchestras”, adopting both styles, the opera and the waltz, mixing traditional peasant dances with the nobler dances penned by the great composer. Two undisputed masters of radio entertainment will lead us along the paths of the “mélovalzer”.]]>
Concerts 0
21:30
Public Garden
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Thursday
11-07-2013
MARK MORRIS DANCE GROUP
left1 Back in Italy after a long absence, Mark Morris and his Dance Group will enchant us with the sophistication of choreographies strictly performed to live music. Morris wraps the notes of Bach, Hummel, Cowell and Harrison in his imaginative modern style, giving melodies a lead role in his creations. Dance thus becomes an orchestral harmony of figures, motion and sound, awakening strong and conflicting emotions: from the fierce visceral energy of Grand Duo to the tender elegy of Candleflowerdance, the Seattle choreographer’s productions, spanning over two decades, triumphantly stage the joy, malice and sensuality hidden in the folds of sheet music. markmorrisdancegroup.org]]>
Drama & Ballet 0
21:30
Palazzo Mauro de André
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Friday
12-07-2013
MARTINA FILJAK pianoforte
left1Johannes Brahms (1833-1897)Ballata op. 10 n. 1 in re minore Ballata in sol minore, N. 3 dei Klaviestücke op. 118Fryderyck Chopin (1810-1849)Ballata n. 2 in fa maggiore op. 38Franz Liszt (1811-1886)Ballata n. 2 in si minore S. 171Sergej Prokof’ev (1891-1953)Sonata n. 4 in do minore op. 29 “D’après des vieux cahiers”Béla Bartók (1881-1945)Sei Danze popolari romene Sz. 56Milij Alekseevic Balakirev (1837-1910)“Islamey” Fantasia orientale The programme provides an opportunity to reflect on the concept of “popular” in music. Composers as Chopin, Liszt and Brahms recognized themselves in a concept of people seen as the custodian of an archaic heritage and a collective “genius” to be preserved as the foundation of the Romantic nation. In Russia, musical nationalism is often associated with The Mighty Five, a circle of composers led by Balakirev, whose bewitching Islamey is an oriental fantasy inspired by a trip to the Caucasus. If in the Romantic era “popular” meant little more than an ideological suggestion, Bartók openly made use of the notes he took during his research on folk music, basing his Romenian Folk Dances on tunes from Transylvania.]]>
Concerts 0
21:30
Chiostro Biblioteca Classense
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Friday
12-07-2013
Romagna BALLKANIca
BOBAN I MARKO MARKOVIC ORCHESTRA (Serbia)
left1 The Balkans have always been a melting pot of ethnicities, languages and cultures. East meets West with wonderful effects in the peninsula: just have a look at its folk music tradition, ranging from Roma music to Jewish – mainly klezmer – rhythms. The magical space of Palazzo San Giacomo, Russi, will be a suitable venue for a top‑quality sound melting pot showcasing extraordinary brass bands: from Boban and Marko Markovich’s gleaming “well‑tempered” brasses to the world-fusion Kabatronics project, which mixes Albanian kaba (improvisation) with reggae, for the first time in Italy. And finally the traditional sounds of Jewish festivities mixed with pop, folk and jazz by NY-based Klezmatics. boban-and-marko-markovic.com]]>
Concerts 0
21:30
Palazzo San Giacomo (Russi)
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Saturday
13-07-2013
NABUCCO (concert)
RICCARDO MUTI conductor
left1 As Verdi himself noted in his autobiographical sketch, “this is the opera with which my artistic career really begins.” A “beginning” built on a brilliant intuition on a line in a libretto he had very reluctantly accepted: “Va pensiero”, the chorus of the Hebrew slaves, is a true gem in an opera that instantly gave voice to the unexpressed aspirations of the oppressed Italian people. The deep sense of dignity emerging from these verses inspired by Psalm 137 and from the opera’s other choruses makes Nabucco a sort of oratorio, foreshadowing, in Giuseppe Mazzini’s words, the advent of an “unknown young man who perhaps in some corner of our land, even while I’m writing, is stirred by inspiration and revolves within himself the secret of a musical epoch.” Verdi, precisely. riccardomuti.com]]>
Opera 0
21:00
Palazzo Mauro de André
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Saturday
13-07-2013
Romagna BALLKANIca
FANFARA TIRANA (UK‑Albania) meets TRANSGLOBAL UNDERGROUND Kabatronics
left1 The Balkans have always been a melting pot of ethnicities, languages and cultures. East meets West with wonderful effects in the peninsula: just have a look at its folk music tradition, ranging from Roma music to Jewish – mainly klezmer – rhythms. The magical space of Palazzo San Giacomo, Russi, will be a suitable venue for a top‑quality sound melting pot showcasing extraordinary brass bands: from Boban and Marko Markovich’s gleaming “well‑tempered” brasses to the world-fusion Kabatronics project, which mixes Albanian kaba (improvisation) with reggae, for the first time in Italy. And finally the traditional sounds of Jewish festivities mixed with pop, folk and jazz by NY-based Klezmatics. transglobalunderground.net]]>
Concerts 0
21:30
Palazzo San Giacomo (Russi)
Ticket Online »
Sunday
14-07-2013
Romagna BALLKANIca
THE KLEZMATICS (U.S.A.)
left1 The Balkans have always been a melting pot of ethnicities, languages and cultures. East meets West with wonderful effects in the peninsula: just have a look at its folk music tradition, ranging from Roma music to Jewish – mainly klezmer – rhythms. The magical space of Palazzo San Giacomo, Russi, will be a suitable venue for a top‑quality sound melting pot showcasing extraordinary brass bands: from Boban and Marko Markovich’s gleaming “well‑tempered” brasses to the world-fusion Kabatronics project, which mixes Albanian kaba (improvisation) with reggae, for the first time in Italy. And finally the traditional sounds of Jewish festivities mixed with pop, folk and jazz by NY-based Klezmatics. klezmatics.com]]>
Concerts 0
21:30
Palazzo San Giacomo (Russi)
Ticket Online »
Friday
08-11-2013
MACBETH
left1Shakespeare’s plays still sit on his bedside table near the scores of his beloved quartets: Haydn, Mozart and Beethoven. Verdi’s estate in Sant’Agata is unchanged: the composer’s steps still echo in the rooms, and the worn‑out pages of his beloved books tell the story of his deep affinity for another great man of the stage. The villa, Roncole and Busseto will provide the scenery for Falstaff in the shots by the young artists of VerdiWeb. The contrast between Othello’s black skin and the pallor of innocent Desdemona will blend into a similar contrast of darkness and light, while Macbeth’s mad lust for power will be consumed between vision and reality. This unmissable trilogy will close the bicentenary of Verdi’s birth with a celebration of the “study of the soul” and a sample of great theatre. Prevendite Carnet (3 spettacoli)fino al 31 luglio prevendita riservata alle agenzie 15 luglio - 12 settembre prelazione carnet per abbonati Festival e Trilogia 201216 settembre - 3 ottobre prelazione carnet abbonati Stagione d’Opera Teatro Alighieri10 ottobre inizio prevendita carnet Prevendita biglietti dal 17 ottobre]]>
Opera 0
20:30
Teatro Alighieri
Ticket Online »
Saturday
09-11-2013
OTELLO
left1Shakespeare’s plays still sit on his bedside table near the scores of his beloved quartets: Haydn, Mozart and Beethoven. Verdi’s estate in Sant’Agata is unchanged: the composer’s steps still echo in the rooms, and the worn‑out pages of his beloved books tell the story of his deep affinity for another great man of the stage. The villa, Roncole and Busseto will provide the scenery for Falstaff in the shots by the young artists of VerdiWeb. The contrast between Othello’s black skin and the pallor of innocent Desdemona will blend into a similar contrast of darkness and light, while Macbeth’s mad lust for power will be consumed between vision and reality. This unmissable trilogy will close the bicentenary of Verdi’s birth with a celebration of the “study of the soul” and a sample of great theatre. Prevendite Carnet (3 spettacoli)fino al 31 luglio prevendita riservata alle agenzie 15 luglio - 12 settembre prelazione carnet per abbonati Festival e Trilogia 201216 settembre - 3 ottobre prelazione carnet abbonati Stagione d’Opera Teatro Alighieri10 ottobre inizio prevendita carnet Prevendita biglietti dal 17 ottobre]]>
Opera 0
20:30
Teatro Alighieri
Ticket Online »
Sunday
10-11-2013
FALSTAFF
left1Shakespeare’s plays still sit on his bedside table near the scores of his beloved quartets: Haydn, Mozart and Beethoven. Verdi’s estate in Sant’Agata is unchanged: the composer’s steps still echo in the rooms, and the worn‑out pages of his beloved books tell the story of his deep affinity for another great man of the stage. The villa, Roncole and Busseto will provide the scenery for Falstaff in the shots by the young artists of VerdiWeb. The contrast between Othello’s black skin and the pallor of innocent Desdemona will blend into a similar contrast of darkness and light, while Macbeth’s mad lust for power will be consumed between vision and reality. This unmissable trilogy will close the bicentenary of Verdi’s birth with a celebration of the “study of the soul” and a sample of great theatre. Prevendite Carnet (3 spettacoli)fino al 31 luglio prevendita riservata alle agenzie 15 luglio - 12 settembre prelazione carnet per abbonati Festival e Trilogia 201216 settembre - 3 ottobre prelazione carnet abbonati Stagione d’Opera Teatro Alighieri10 ottobre inizio prevendita carnet Prevendita biglietti dal 17 ottobre]]>
Opera 0
15:30
Teatro Alighieri
Ticket Online »
Friday
15-11-2013
MACBETH
left1Shakespeare’s plays still sit on his bedside table near the scores of his beloved quartets: Haydn, Mozart and Beethoven. Verdi’s estate in Sant’Agata is unchanged: the composer’s steps still echo in the rooms, and the worn‑out pages of his beloved books tell the story of his deep affinity for another great man of the stage. The villa, Roncole and Busseto will provide the scenery for Falstaff in the shots by the young artists of VerdiWeb. The contrast between Othello’s black skin and the pallor of innocent Desdemona will blend into a similar contrast of darkness and light, while Macbeth’s mad lust for power will be consumed between vision and reality. This unmissable trilogy will close the bicentenary of Verdi’s birth with a celebration of the “study of the soul” and a sample of great theatre. Prevendite Carnet (3 spettacoli)fino al 31 luglio prevendita riservata alle agenzie 15 luglio - 12 settembre prelazione carnet per abbonati Festival e Trilogia 201216 settembre - 3 ottobre prelazione carnet abbonati Stagione d’Opera Teatro Alighieri10 ottobre inizio prevendita carnet Prevendita biglietti dal 17 ottobre]]>
Opera 0
20:30
Teatro Alighieri
Ticket Online »
Saturday
16-11-2013
OTELLO
left1Shakespeare’s plays still sit on his bedside table near the scores of his beloved quartets: Haydn, Mozart and Beethoven. Verdi’s estate in Sant’Agata is unchanged: the composer’s steps still echo in the rooms, and the worn‑out pages of his beloved books tell the story of his deep affinity for another great man of the stage. The villa, Roncole and Busseto will provide the scenery for Falstaff in the shots by the young artists of VerdiWeb. The contrast between Othello’s black skin and the pallor of innocent Desdemona will blend into a similar contrast of darkness and light, while Macbeth’s mad lust for power will be consumed between vision and reality. This unmissable trilogy will close the bicentenary of Verdi’s birth with a celebration of the “study of the soul” and a sample of great theatre. Prevendite Carnet (3 spettacoli)fino al 31 luglio prevendita riservata alle agenzie 15 luglio - 12 settembre prelazione carnet per abbonati Festival e Trilogia 201216 settembre - 3 ottobre prelazione carnet abbonati Stagione d’Opera Teatro Alighieri10 ottobre inizio prevendita carnet Prevendita biglietti dal 17 ottobre]]>
Opera 0
20:30
Teatro Alighieri
Ticket Online »
Sunday
17-11-2013
FALSTAFF
left1Shakespeare’s plays still sit on his bedside table near the scores of his beloved quartets: Haydn, Mozart and Beethoven. Verdi’s estate in Sant’Agata is unchanged: the composer’s steps still echo in the rooms, and the worn‑out pages of his beloved books tell the story of his deep affinity for another great man of the stage. The villa, Roncole and Busseto will provide the scenery for Falstaff in the shots by the young artists of VerdiWeb. The contrast between Othello’s black skin and the pallor of innocent Desdemona will blend into a similar contrast of darkness and light, while Macbeth’s mad lust for power will be consumed between vision and reality. This unmissable trilogy will close the bicentenary of Verdi’s birth with a celebration of the “study of the soul” and a sample of great theatre. Prevendite Carnet (3 spettacoli)fino al 31 luglio prevendita riservata alle agenzie 15 luglio - 12 settembre prelazione carnet per abbonati Festival e Trilogia 201216 settembre - 3 ottobre prelazione carnet abbonati Stagione d’Opera Teatro Alighieri10 ottobre inizio prevendita carnet Prevendita biglietti dal 17 ottobre]]>
Opera 0
15:30
Teatro Alighieri
Ticket Online »
 
 
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