Erodiade – Fame di Vento
(1993-2017)

inspired by Stéphane Mallarmé’s “Hérodiade”
choreography Julie Ann Anzilotti
music Paul Hindemith, Wilhelm Killmayer, Walter Fӓhndrich
set design Alighiero e Boetti
set design assistant Tiziana Draghi
costume design Loretta Mugnai
lighting design Andrea Berselli
performers Paola Bedoni (Wet Nurse), Giulia Ciani (Guardian Angel), Sara Paternesi (Erodiade), Liber Dorizzi (Giovanni Battista), Sara Ladu (Good Spirit), Laura Massetti (Evil Spirit)
vocal writing and voice Gabriella Bartolomei
music consultant Michele Porzio

production Compagnia XE

in collaboration with Amat – Associazione Marchigiana Attività Teatrali / Fondazione Fabbrica Europa per le arti contemporanee / Fondazione Ravenna Manifestazioni / Fondazione Teatro Comunale di Ferrara / Teatro Pubblico Pugliese – Consorzio Regionale per le Arti e la Cultura / Torinodanza – Teatro Stabile di Torino Teatro Nazionale / Fondazione Toscana Spettacolo onlus / Fondazione Milano – Civica Scuola di Teatro “Paolo Grassi”

new staging within RIC.CI Project
(Reconstruction Italian Contemporary Choreography, 80s and 90s)
concept and artistic direction Marinella Guatterini

thanks to Fondazione Alighiero e Boetti


The decision of including Erodiade — Fame di Vento (Julie Ann Anzilotti’s Compagnia XE, 1993) in the programme of the RIC.CI Project stems from the expressive power of Stéphane Mallarmé’s unfinished poem Hérodiade. Herodias, or Salome, is portrayed in her immense solitude, but taken towards catharsis after the beheading of St John the Baptist. The scenes, signed by famous conceptual artist Alighiero Boetti, are the hallmark of a period when collaborations between different disciplines were the norm: their tasteful elegance gives the mix an exceptional authoritativeness. Choreographies are enhanced by the musicality of Gabriella Bartolomei’s voice and words, and by the delightful scores, especially Paul Hindemith’s.